La programación radiofónica en la era del consumo bajo demanda. Evolución de la oferta generalista en España (1999-2020)

Abstract

The full digital connectivity of the audience and the ubiquitous and instantaneous access to information and entertainment have watered down the significance of radio schedules, which are still essential for transmitting the identifying sound brand of each operator. This research undertakes a diachronic study of talk radio programming on the main Spanish commercial networks (SER, COPE and Onda Cero) between 1999 and 2020 to determine if their design has adapted to the new context. Through a quantitative and qualitative analysis of formal and content variables in the three channels, the research finds a progressive reduction in the offer and expressive treatment of the programs, which reflect a simplification and homogeneity of themes and genres that is not very competitive with the emergence and increasing diversity of on-demand audio platforms.

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