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“A Sick Eagle” and “I am”: Hymns to Sculpture by Keats and Rilke
16 references·0 citing·30 second hop
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References

  • 1980Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust1,251 cited
  • 2013Aisthesis: Scenes from the Aesthetic Regime of Art380 cited
  • 1998The Bible: Authorized King James Version297 cited
  • 1981Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust245 cited
  • 1999Poetry and Politics in the Cockney School: Keats, Shelley, Hunt and Their Circle128 cited
  • 2002Sculpture: Some Observations on Shape and Form from Pygmalion's Creative Dream109 cited
  • 2003Claiming the stones/naming the bones: cultural property and the negotiation of national and ethnic identity81 cited
  • 1986The Political Implication of Keats's Classicist Aesthetics55 cited
  • 1995The sculpted word: Keats, ekphrasis, and the visual arts49 cited
  • 2024Romanticism and Visuality: Fragments, History, Spectacle47 cited
  • 1999Rilke, Modernism and Poetic Tradition34 cited
  • 2004Exhuming Rilke's Orphic Body: Gender and Poetic Voice in "Orpheus. Eurydike. Hermes" and "Hetären-Gräber"29 cited
  • 2024Romanticism and Visuality: Fragments, History, Spectacle28 cited
  • 2005Sculpture: Some Observations on Shape and Form from Pygmalion's Creative Dream24 cited
  • 2012The Modernity of Ancient Sculpture: Greek Sculpture and Modern Art from Winckelmann to Picasso

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15 cited
  • 2000Rilke, Modernism and Poetic Tradition15 cited
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