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Theoretical Concepts of Film Studies in the Cinema Art Journal in the First Decade (1931–1941) of Its Existence
13 references·8 citing·29 second hop
Theoretical Concepts of Film Studies in the Cinema Art Journal in the First Decade (1931–1941) of Its Existence (2022)Theoretical Concepts of Film Studies in t…The Routledge encyclopedia of film theory (2014)The Routledge encyclopedia of…The Routledge Encyclopedia of Film Theory (2013)The Routledge Encyclopedia of…Film Studies: The Basics (2006)Film Studies: The BasicsReal images: Soviet cinema and the thaw (2001)Real images: Soviet cinema an…Reinventing film studies (2000)Reinventing film studiesFilm Theory: An Introduction (2000)Film Theory: An IntroductionFilm studies : critical approaches (2000)Film studies : critical appro…The Oxford guide to film studies (1999)The Oxford guide to film stud…Major Film Theories: An Introduction (1977)Major Film Theories: An Intro…Trattato di semiotica generale (1976)Trattato di semiotica generaleThe Major Film Theories: An Introduction (1976)The Major Film Theories: An I…Film Theory and Criticism: Introductory Readings (1975)Film Theory and Criticism: In…Language and Cinema (1974)Language and CinemaWestern Cinematography on the Pages of the Soviet Screen Magazine: 1928–1930 (2023)Western Cinematography on the…Western Cinematography on the Pages of the Soviet Screen Magazine of 1925−1927 (2023)Western Cinematography on the…Western Cinema on the Pages of the Magazine Soviet Screen: 1957–1968 (2023)Western Cinema on the Pages o…Theoretical Concepts of Film Studies in Cinema Art Journal: XXI Century (2023)Theoretical Concepts of Film …Theoretical Concepts of Film Studies in Cinema Art Journal: 1969–1985 (2023)Theoretical Concepts of Film …Theoretical Concepts of Film Studies in the Cinema Art Journal During the Perestroika Era: 1986−1991 (2022)Theoretical Concepts of Film …Theoretical Concepts of Film Studies in Cinema Art Journal: 1956–1968 (2022)Theoretical Concepts of Film …Theoretical Concepts of Film Studies in Cinema Art Journal in the First Post-Soviet Years: 1992–2000 (2022)Theoretical Concepts of Film …Unthinking Eurocentrism: Multiculturalism and the Media (1996)The Expediency of Culture (2003)Carnal thoughts: embodiment and moving image culture (2005)Introduction (2016)Theoretical Concepts of Film Studies in Cinema Art Journal: 1945–1955 (2022)Trust and Deception in Virtual Societies (2001)Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production (2009)Bridging the Gap between Social Animal and Unsocial Machine: A Survey of Social Signal Processing (2011)Cross-Cultural Representation of ‘Otherness’ in Media Discourse (2003)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Multimodal analysis within an interactive software environment: critical discourse perspectives (2011)Stereotyping in films in general and of the Hispanic in particular (1990)The Photograph as an Intersection of Gazes: The Example of National Geographic (1991)Twelve Fallacies in Contemporary Adaptation Theory (2003)Enslaving Central Executives: Toward A Brain Theory of Cinema (2008)National, transnational or supranational cinema? Rethinking European film studies (2005)Nostalgia, Identity and Tourism:Bollywoodin the Indian Diaspora (2008)False intimacy: close-ups and viewer involvement in wildlife films1 (2003)Parsing the Resource Pie: Using STRTs to Measure Attention to Mediated Messages (2006)Semiotics, Pragmatics, and Metaphor in Film Music Analysis (2006)A Semantic/Syntactic Approach to Film Genre (1984)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)Visual Narrative Structure (2012)Toward a Philosophy of the Urban: Henri Lefebvre's Uncomfortable Application of Bergsonism (2008)Military, masculinity and mediated representations: (con)fusing the real and the reel (2009)Locating Zombies in the Sociology of Popular Culture (2013)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Aesthetics and Quality in Popular Television Drama (2003)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)
this work references cited by second hop

References

  • 2000Reinventing film studies635 cited
  • 1974Language and Cinema580 cited
  • 2000Film Theory: An Introduction431 cited
  • 1976Trattato di semiotica generale407 cited
  • 1975Film Theory and Criticism: Introductory Readings366 cited
  • 1999The Oxford guide to film studies278 cited
  • 1977Major Film Theories: An Introduction149 cited
  • 1976The Major Film Theories: An Introduction99 cited
  • 2000Film studies : critical approaches71 cited
  • 2006Film Studies: The Basics66 cited
  • 2013The Routledge Encyclopedia of Film Theory52 cited
  • 2014The Routledge encyclopedia of film theory35 cited
  • 2001Real images: Soviet cinema and the thaw34 cited

Cited by

  • 2022Theoretical Concepts of Film Studies in Cinema Art Journal: 1956–196824 cited
  • 2022Theoretical Concepts of Film Studies in the Cinema Art Journal During the Perestroika Era: 1986−199119 cited
  • 2022Theoretical Concepts of Film Studies in Cinema Art Journal in the First Post-Soviet Years: 1992–200019 cited

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  • 2023Western Cinematography on the Pages of the Soviet Screen Magazine of 1925−192712 cited
  • 2023Western Cinematography on the Pages of the Soviet Screen Magazine: 1928–19309 cited
  • 2023Theoretical Concepts of Film Studies in Cinema Art Journal: 1969–19857 cited
  • 2023Western Cinema on the Pages of the Magazine Soviet Screen: 1957–19686 cited
  • 2023Theoretical Concepts of Film Studies in Cinema Art Journal: XXI Century5 cited