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Feeling your way as an occupational minority: The gendered sensilisation of women electronic music artists
16 references·0 citing·35 second hop
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References

  • 2011Being Alive4,448 cited
  • 2012The Perception of the Environment: Essays on Livelihood, Dwelling and Skill4,267 cited
  • 2008Case Selection Techniques in Case Study Research3,900 cited
  • 2008The Aftermath of Feminism: Gender, Culture and Social Change2,826 cited
  • 1989Visual and Other Pleasures2,412 cited
  • 2009Doing Sensory Ethnography2,156 cited
  • 2014Diffracting Diffraction: Cutting Together-Apart1,757 cited
  • 1997Music, Gender, Education590 cited
  • 1999Organization and Aesthetics497 cited
  • 1998Sexing the Groove: Popular Music and Gender479 cited
  • 2012The Glass Slipper: 'Incorporating' Occupational Identity in Management Studies358 cited
  • 2007Knowing Bodies at Work: Embodiment and Ephemeral Teamwork in Anaesthesia348 cited
  • 2014Swimming in a Sea of Shame: Incorporating Emotion into Explanations of Institutional Reproduction and Change344 cited
  • 2006Agencement/Assemblage316 cited
  • 2005The Oxford Companion to Philosophy302 cited
  • 2019Writing differently295 cited

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