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Red color characterization in several Roman frescos and paintings by in situ and remote LIBS, LIF and Raman Spectroscopies
16 references·0 citing·44 second hop
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References

  • 2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
  • 2006Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis201 cited
  • 2010Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork187 cited
  • 2011Laser spectroscopies for elemental and molecular analysis in art and archaeology129 cited
  • 2016Mobile Spectroscopic Instrumentation in Archaeometry Research120 cited
  • 2014Cinnabar reviewed: characterization of the red pigment and its reactions95 cited
  • 2007An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis82 cited
  • 2018Applications of laser-induced breakdown spectroscopy for cultural heritage: A comparison with X-ray Fluorescence and Particle Induced X-ray Emission techniques79 cited
  • 2014Time-Resolved Photoluminescence Spectroscopy and Imaging: New Approaches to the Analysis of Cultural Heritage and Its Degradation78 cited
  • 2012X-Ray Fluorescence and Laser-Induced Breakdown Spectroscopy analysis of Roman silver denarii68 cited
  • 2004An extensive colour palette in Roman villas in Burgos, Northern Spain: a Raman spectroscopic analysis63 cited
  • 1998Luminescence from pigments and resins for oil paintings induced by laser excitation58 cited
  • 2013Laser-induced fluorescence study of medieval frescoes by Giusto de’ Menabuoi52 cited

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  • 2020Analytical chemistry approach in cultural heritage: the case of Vincenzo Pasqualoni's wall paintings in S. Nicola in Carcere (Rome)45 cited
  • 2008The colours of Etruscan painting: a study on the Tomba dell'Orco in the necropolis of Tarquinia44 cited
  • 2019Multi-analytical non-destructive investigation of pictorial apparatuses of “Villa della Piscina” in Rome42 cited
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