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Tondokumente als Informationsobjekte mit siginfikanten Eigenschaften?
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Tondokumente als Informationsobjekte mit siginfikanten Eigenschaften? (2022)Tondokumente als Informationsobjekte mit …Görsel-İşitsel Arşivleme: Felsefe ve İlkeler (2020)Görsel-İşitsel Arşivleme: Fel…Metaphors We Work By: Reframing Digital Objects, Significant Properties, and the Design of Digital Preservation Systems (2018)Metaphors We Work By: Reframi…Überlieferungsbildung in der Grauzone. Die Bedeutung der Kontextualisierung audiovisueller Dokumente am Beispiel der Piratenradios (2016)Überlieferungsbildung in der …Bestandserhaltung audiovisueller Dokumente (2014)Bestandserhaltung audiovisuel…Space data and information transfer systems. Open archival information system (OAIS). Reference model (2012)Space data and information tr…Advanced Digital Preservation (2011)Advanced Digital Preservation‘Nothing is the same as something else’: significant properties and notions of identity and originality (2010)‘Nothing is the same as somet…Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records (2002)Appraising Moving Images: Ass…The archival appraisal of sound recordings and related materials : a RAMP study with guidelines (1987)The archival appraisal of sou…Speech Acts (1969)Speech Acts: An Essay in the Philosophy of Language (1969)How To Do Things With Words (1975)Videogame preservation and massively multiplayer online role‐playing games: A review of the literature (2011)Preservation in the Digital Age (2012)User conceptions of trustworthiness for digital archival documents (2015)Dilemmas in a general theory of planning (1973)The fifth discipline, the art and practice of the learning organization (1991)Metaphors We Live By (2003)Digital records as relational objects–Yuk Hui’s concept of digital objects applied to archival science (2021)Preservation for diverse users: digital preservation and the “Designated Community” at the Ontario Jewish Archives (2021)Tacit attitudinal principles for evaluating digital preservation success (2021)Virtual authenticity : authenticity of digital records from theory to practice (2015)A framework for management of electronic records in support of e-government in Kenya (2016)The power of imaginary users: Designated communities in the OAIS reference model (2016)«Streaming Wars and Memory Institution Battles» (2022)A Framework for the Description of Age-related Symptoms in Audio Media: Definition and Implementation (2019)Audiovisual Documents and the Digital Age (2019)Digital preservation and the sustainability of film heritage (2020)Framers of the Kept: Against the Grain Appraisal of Ephemeral Moving Images (2008)FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION'S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s (2013)MEDIA ARTS CENTERS AS ALTERNATIVE ARCHIVAL SPACES: INVESTIGATING THE DEVELOPMENT OF ARCHIVAL PRACTICES IN NON-PROFIT MEDIA ORGANIZATIONS (2014)Preserving Computer-Aided Design (CAD) (2013)Cultivating Digitization Competencies (2020)Factors that influence digital preservation sustainability in academic libraries in South Africa (2020)Appraisal of Sound Recordings for Textual Archivists (1997)Digital Audio Archiving in Community Radios of Kerala (2016)Documentos audiovisuais e iconográficos em arquivos nos séculos xx e xxi: análise dos instrumentos teóricos (2021)
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References

  • 2011Advanced Digital Preservation61 cited
  • 2020Görsel-İşitsel Arşivleme: Felsefe ve İlkeler56 cited
  • 2010‘Nothing is the same as something else’: significant properties and notions of identity and originality49 cited
  • 2012Space data and information transfer systems. Open archival information system (OAIS). Reference model46 cited
  • 2002Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records17 cited
  • 2018Metaphors We Work By: Reframing Digital Objects, Significant Properties, and the Design of Digital Preservation Systems12 cited
  • 1987The archival appraisal of sound recordings and related materials : a RAMP study with guidelines9 cited
  • 2014Bestandserhaltung audiovisueller Dokumente2 cited
  • 2016Überlieferungsbildung in der Grauzone. Die Bedeutung der Kontextualisierung audiovisueller Dokumente am Beispiel der Piratenradios1 cited

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