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The Will and Testament in English Renaissance Drama: Paper Props, Property, and Ulpian Fulwell’s Like Will to Like
8 references·0 citing·28 second hop
The Will and Testament in English Renaissance Drama: Paper Props, Property, and Ulpian Fulwell’s Like Will to Like (2022)The Will and Testament in English Renaiss…Dark Matter (2013)Dark MatterThe Invention of Suspicion (2007)The Invention of SuspicionDomestic Life and Domestic Tragedy in Early Modern England (2006)Domestic Life and Domestic Tr…The Renaissance Beard: Masculinity in Early Modern England (2001)The Renaissance Beard: Mascul…Shakespeare's speaking properties (1992)Shakespeare's speaking proper…The Devil's Techniques: Cultural Legitimation and Social Change (1983)The Devil's Techniques: Cultu…Shakespeare's Letters (1969)Shakespeare's LettersFrom Mankind to Marlowe (1962)From Mankind to MarloweMaking Sex: Body and Gender from the Greeks to Freud (1994)Sodometries: Renaissance Texts, Modern Sexualities (1995)Anxious Masculinity in Early Modern England (1996)Children of the Queen's Revels (2005)From an Archaeology of Iconoclasm to an Anthropology of the Body (2008)Children of the Queen's Revels: A Jacobean Theatre Repertory (2011)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Time and literary fame (1985)Strategy, organizational culture and symbolism (1988)The Strong Program in Cultural Theory: Elements of a Structural Hermeneutics (2006)The Interpretation of Cultures (2017)Rabelais and his world (2020)Shakespeare's Living Law: Theatrical, Lyrical, and Legal Practice (2015)Medieval Affect, Feeling, and Emotion (2019)Shakespeare's Domestic Tragedies (2019)Reformed literature and literature reformed (1999)Theatrical Convention and Audience Response in Early Modern Drama (2002)Literature and London (2003)The Word Made Flax: Cheap Bibles, Textual Corruption, and the Poetics of Paper (2011)Theatre and testimony in Shakespeare's England: a culture of mediation (2012)Irregular Unions (2021)Black Girlish Departure and the “Semiotics of Theater” in Harriet Jacobs's Narrative; or, Lulu & Ellen: Four Opening Acts (2018)Shakespeare, Spectatorship and the Technologies of Performance (2020)Signs of the Crimes: Topography, Murder, and Early Modern Domestic Tragedy (2007)“Hood feminism”: Whiteness and segregated (premodern) scholarly discourse in the post‐postracial era (2020)Stage Hands (2012)Style, Computers, and Early Modern Drama (2017)Science and Technology (2019)
this work references cited by second hop

References

  • 1962From Mankind to Marlowe256 cited
  • 2001The Renaissance Beard: Masculinity in Early Modern England156 cited
  • 2007The Invention of Suspicion146 cited
  • 2013Dark Matter78 cited
  • 1969Shakespeare's Letters59 cited
  • 1992Shakespeare's speaking properties41 cited
  • 1983The Devil's Techniques: Cultural Legitimation and Social Change39 cited
  • 2006Domestic Life and Domestic Tragedy in Early Modern England32 cited

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