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Raman and ATR-FTIR analyses of medieval wall paintings from al-Qarawiyyin in Fez (Morocco)
16 references·2 citing·40 second hop
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Paths for the identification of an artistic pigment (2011)Spectroscopic, morphological …Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques (2011)Analytical study of Roman and…Microscopic techniques to study Roman renders and mural paintings from various sites (2008)Microscopic techniques to stu…Pigment and Plasterwork Analyses of Nasrid Polychromed Lacework Stucco in the Alhambra (Granada, Spain) (2006)Pigment and Plasterwork Analy…Green degradation products of azurite in wall paintings: identification and conservation treatment (1998)Green degradation products of…CHEMICAL AND MINERALOGICAL ANALYSES OF GALLO‐ROMAN WALL PAINTING FROM DIETIKON, SWITZERLAND (1996)CHEMICAL AND MINERALOGICAL AN…VERMILION AND CINNABAR (1972)VERMILION AND CINNABARThe diagnostic study of the plaster replicas of the Trajan’s Column conserved at the Museum of Roman Civilisation (Rome) (2024)The diagnostic study of the p…The diagnostic study of the plaster casts of the Trajan\'s Column in the Museum of Roman Civilisation (Rome) (2023)The diagnostic study of the p…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Infrared Spectroscopy in Conservation Science (2000)Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis (2005)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)A multi-analytical methodology of lithic residue analysis applied to Paleolithic tools from Hummal, Syria (2013)FTIR study of ageing of fast drying oil colour (FDOC) alkyd paint replicas (2014)Developing FTIR microspectroscopy for analysis of plant residues on stone tools (2017)Cross-Sections and Chemical Analysis of Paint Samples (1956)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Cinnabar reviewed: characterization of the red pigment and its reactions (2014)VIII. Some experiments and observations on the colours used in painting by the ancients (1815)Science and Archaeology (1972)Technological Examination of Egyptian Blue (1984)Investigation of roman age pigments found on pottery fragments (2003)Archaeometry and materiality: materials‐based analysis in theory and practice* (2004)An innovative combination of non-invasive UV–Visible-FORS, XRD and XRF techniques to study Roman wall paintings from Seville, Spain (2016)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Ten Books on Architecture (1956)Conservation of Wall Paintings (1985)Pigment Compendium: A Dictionary of Historical Pigments (2007)Study of the soluble salts formation in a recently restored house of Pompeii by in-situ Raman spectroscopy (2018)Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century) (2021)Wall paintings through the ages: the roman period—Republic and early Empire (2021)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)Characterizing the pigments and paints of prehistoric artists (2021)In situ Raman spectroscopy for cultural heritage studies (2021)Identification of copper-based green pigments in Jaume Huguet's Gothic altarpieces by Fourier transform infrared microspectroscopy and synchrotron radiation X-ray diffraction (2002)Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals (2009)A combined Raman microscopy, XRF and SEM–EDX study of three valuable objects – A large painted leather screen and two illuminated title pages in 17th century books of ordinances of the Worshipful Company of Barbers, London (2010)Non-Destructive Multi-Analytical Approach to Study the Pigments of Wall Painting Fragments Reused in Mortars from the Archaeological Site of Pompeii (Italy) (2018)60 years of street art: A comparative study of the artists’ materials through spectroscopic and mass spectrometric approaches (2020)Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts (2018)Quantitative Analysis of Minium and Vermilion Mixtures Using Low-Frequency Vibrational Spectroscopy (2019)Raman approach to the forensic study of bronze patinas (2021)
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References

  • 2015Raman spectroscopy for the investigation of carbon‐based black pigments251 cited
  • 2016Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database207 cited
  • 2016Raman spectroscopy of minerals and mineral pigments in archaeometry191 cited
  • 2012Micro‐Raman spectroscopy of carbon‐based black pigments186 cited
  • 1972VERMILION AND CINNABAR156 cited
  • 2018Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts120 cited
  • 2011Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment105 cited
  • 1998Green degradation products of azurite in wall paintings: identification and conservation treatment78 cited
  • 2012FRESCO AND LIME‐PAINT: AN EXPERIMENTAL STUDY AND OBJECTIVE CRITERIA FOR DISTINGUISHING BETWEEN THESE PAINTING TECHNIQUES73 cited
  • 1996CHEMICAL AND MINERALOGICAL ANALYSES OF GALLO‐ROMAN WALL PAINTING FROM DIETIKON, SWITZERLAND61 cited
  • 2011Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques55 cited
  • 2018Investigation of the chemical composition of red pigments and binding media53 cited
  • 2006Pigment and Plasterwork Analyses of Nasrid Polychromed Lacework Stucco in the Alhambra (Granada, Spain)

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48 cited
  • 2008Microscopic techniques to study Roman renders and mural paintings from various sites45 cited
  • 2015Identification of carbon-based black pigments in four South American polychrome wooden sculptures by Raman microscopy39 cited
  • 2018The Bone Black Pigment Identification by Noninvasive, In Situ Infrared Reflection Spectroscopy39 cited
  • Cited by

    • 2023The diagnostic study of the plaster casts of the Trajan\'s Column in the Museum of Roman Civilisation (Rome)1 cited
    • 2024The diagnostic study of the plaster replicas of the Trajan’s Column conserved at the Museum of Roman Civilisation (Rome)1 cited