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From prima donna to teacher. Two female pioneers in singing education in the Nineteenth Century: Virginia Boccabadati and Matilde Esteban
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From prima donna to teacher. Two female pioneers in singing education in the Nineteenth Century: Virginia Boccabadati and Matilde Esteban (2022)From prima donna to teacher. Two female p…Verdi in Victorian London (2026)Verdi in Victorian LondonAlumnas, maestras y cantantes: La formación vocal de las mujeres en el siglo XIX en España (2019)Alumnas, maestras y cantantes…Female Singers on the French Stage, 1830–1848 (2018)Female Singers on the French …Divas and Divos (2015)Divas and DivosThe Arts of the prima donna in the long nineteenth century (2013)The Arts of the prima donna i…The Arts of the Prima Donna in the Long Nineteenth Century (2012)The Arts of the Prima Donna i…Changing the Score: Arias, Prima Donnas, and the Authority of Performance (2009)Changing the Score: Arias, Pr…Understanding the Classical Music Profession: The Past, the Present and Strategies for the Future (2008)Understanding the Classical M…Five Centuries of Women Singers (2006)Five Centuries of Women Singe…Music in Other WordsVictorian Conversations (2004)Music in Other WordsVictorian…The Careers of British Musicians, 1750–1850: A Profession of Artisans (2001)The Careers of British Musici…Singers of Italian Opera: The History of a Profession (1995)Singers of Italian Opera: The…Opinioni de' cantori antichi, e moderni (1968)The queen's throat: opera, homosexuality, and the mystery of desire (1993)En travesti: women, gender subversion, opera (1996)Reaching the Operatic Stage: The Geographical and Social Origins of British and Irish Opera Singers, c.1850–c.1960 (2017)Gender: A Useful Category of Historical Analysis (1986)The Fall of Public Man (1987)Discipline and Punish: The Birth of the Prison. (1996)The Empire at the Opéra (2021)The Operatic Canon (2015)Singing Herself: Adelina Patti and the Performance of Femininity (2018)Instrumental performance in the nineteenth century (2012)The performer and the composer (2012)Vocal performance in the nineteenth century (2012)Making an English Voice: Performing National Identity during the English Musical Renaissance (2016)Theme and Variations on a Virtue: Humility as a Multidimensional Construct for Musicians and Music Educators (2021)Of women, sex and folly: Opera under the Old Regime (1994)Magic Mirrors and the Seria Stage: Thoughts toward a Ritual View (1995)A History of Singing (2012)The Role of Psychological Characteristics in Facilitating the Pathway to Elite Performance Part 1: Identifying Mental Skills and Behaviors (2010)The Role of Psychological Characteristics in Facilitating the Pathway to Elite Performance Part 2: Examining Environmental and Stage-Related Differences in Skills and Behaviors (2010)Class, Control, and Classical Music (2019)Foreign Opera at the London Playhouses: From Mozart to Bellini (2015)Creating Sustainable Performance Careers (2022)Music, Letters and National Identity: Reading the 1890s' Italian Music Press (2010)Melodrama (2012)
this work references cited by second hop

References

  • 2008Understanding the Classical Music Profession: The Past, the Present and Strategies for the Future211 cited
  • 2004Music in Other WordsVictorian Conversations159 cited
  • 2012The Arts of the Prima Donna in the Long Nineteenth Century103 cited
  • 1995Singers of Italian Opera: The History of a Profession61 cited
  • 2009Changing the Score: Arias, Prima Donnas, and the Authority of Performance49 cited
  • 2006Five Centuries of Women Singers40 cited
  • 2018Female Singers on the French Stage, 1830–184831 cited
  • 2026Verdi in Victorian London26 cited
  • 2001The Careers of British Musicians, 1750–1850: A Profession of Artisans26 cited
  • 2015Divas and Divos20 cited
  • 2013The Arts of the prima donna in the long nineteenth century20 cited
  • 2019Alumnas, maestras y cantantes: La formación vocal de las mujeres en el siglo XIX en España5 cited

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