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Analytical studies on commercial artists’ colour charts from Das Deutsche Farbenbuch (1925)—identification of synthetic and natural organic colourants by Raman microscopy, surface-enhanced Raman spectroscopy and metal underlayer ATR-FTIR spectroscopy

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2012Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library170 cited
2012Sample Treatment Considerations in the Analysis of Organic Colorants by Surface-Enhanced Raman Scattering121 cited
2011Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4118 cited
2014A systematic analysis of red lake pigments in French Impressionist and Post‐Impressionist paintings by surface‐enhanced Raman spectroscopy (SERS)86 cited
2017Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments70 cited
1915The Chemistry of Paints and Painting64 cited
2015Novel application of liquid chromatography/mass spectrometry for the characterization of drying oils in art: Elucidation on the composition of original paint materials used by Edvard Munch (1863–1944)56 cited
2013Winsor & Newton original handbooks: a surface-enhanced Raman scattering (SERS) and Raman spectral database of dyes from modern watercolor pigments49 cited
2016SERS Discrimination of Closely Related Molecules: A Systematic Study of Natural Red Dyes in Binary Mixtures49 cited
2016Tracking photo‐degradation of triarylmethane dyes with surface‐enhanced Raman spectroscopy45 cited
2017Barium, zinc and strontium yellows in late 19th–early 20th century oil paintings41 cited
2017Change is permanent: thoughts on the fading of cochineal-based watercolor pigments30 cited

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