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A Corpus Describing Orchestral Texture in First Movements of Classical and Early-Romantic Symphonies
8 references·0 citing·28 second hop
A Corpus Describing Orchestral Texture in First Movements of Classical and Early-Romantic Symphonies (2022)A Corpus Describing Orchestral Texture in…Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata (2013)Elements of Sonata Theory: No…The birth of the orchestra: history of an institution, 1650-1815 (2005)The birth of the orchestra: h…A Generative Theory of Tonal Music (1996)A Generative Theory of Tonal …CONSIDERATIONS OF TEXTURE (1989)CONSIDERATIONS OF TEXTUREMelody: A Popular Perspective (1987)Melody: A Popular PerspectiveStyle and orchestration (1979)Style and orchestrationTheme, Harmony, and Texture in Classic-Romantic Descriptions of Concerto First-Movement Form (1974)Theme, Harmony, and Texture i…A Measure of Textural Patterns and Strengths (1960)A Measure of Textural Pattern…Cours de composition musicale (1909)A History of Western Music (1960)On Playing the Flute (1966)H. C. Koch, the Classic Concerto, and the Sonata-Form Retransition (1983)Concerto of the individual (2009)Follow the Solo: The Formal Evolution of the Concerto in the Eighteenth-Century (2022)'The Theory of Harmony' (1917)Elementary training for musicians (1946)Theory of Harmony (1978)Introduction to the Sociology of Music. (1977)The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)The Italian Canzone and the Sanremo Festival: change and continuity in Italian mainstream pop of the 1960s (2007)On the interaction of alliteration with rhythm and metre in popular music (2011)The Science of Singing Along: A Quantitative Field Study on Sing-along Behavior in the North of England (2012)Structuralist Poetics (1975)Toward an Aesthetic of Reception. (1982)The “Mono-Operational” Recapitulation in Movements by Beethoven and Schubert (2018)Process and Pendulum in Schubert's Expanded Type 1 Sonatas (2021)Structure and Variable Formal Function in Schubert’s Three-Key Expositions (2021)The Orchestration of Civil Society: Community and Conscience in Symphony Orchestras (2011)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Textured Voices and the Performance of Ethical Life in the Case of the Laff Box (1966) (2016)Organising music’s structures: The classification of musical forms in Western art music (2023)Distinctive signatures of recursion (2012)Navigating Comics: An Empirical and Theoretical Approach to Strategies of Reading Comic Page Layouts (2013)The effects of musical training on the decoding skills of German‐speaking primary school children (2013)
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References

  • 1996A Generative Theory of Tonal Music317 cited
  • 2005The birth of the orchestra: history of an institution, 1650-1815119 cited
  • 1987Melody: A Popular Perspective60 cited
  • 1974Theme, Harmony, and Texture in Classic-Romantic Descriptions of Concerto First-Movement Form43 cited
  • 1989CONSIDERATIONS OF TEXTURE25 cited
  • 1979Style and orchestration14 cited
  • 2013Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata12 cited
  • 1960A Measure of Textural Patterns and Strengths8 cited

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