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Music as a Third Space? – African musics as a field of collaboration in Finland
16 references·0 citing·38 second hop
Music as a Third Space? – African musics as a field of collaboration in Finland (2022)Music as a Third Space? – African musics …The African Imagination in Music (2016)The African Imagination in Mu…Music as a site for Africanness and diaspora cultures: African musicians in the white landscape of Finland (2015)Music as a site for Africanne…Music and the Myth of Universality: Sounding Human Rights and Capabilities (2014)Music and the Myth of Univers…Afro-Nordic Landscapes (2014)Afro-Nordic LandscapesMusic and globalization: critical encounters (2012)Music and globalization: crit…Ethnomusicology in East Africa : perspectives from Uganda and beyond (2012)Ethnomusicology in East Afric…Homi Bhabha's Third Space and African identity (2009)Homi Bhabha's Third Space and…Beyond Exoticism (2007)Beyond ExoticismRACIALIZATION, GENDER, AND THE NEGOTIATION OF POWER IN STOCKHOLM’S AFRICAN DANCE COURSES (2006)RACIALIZATION, GENDER, AND TH…Music and the Global Order (2004)Music and the Global OrderConsolidating the music scenes perspective (2004)Consolidating the music scene…Ilmatar's Inspirations (2003)Ilmatar's InspirationsWestern music and its others : difference, representation, and appropriation in music (2000)Western music and its others …Strange Encounters: Embodied Others in Post-Coloniality (2000)Strange Encounters: Embodied …Pygmy POP. A Genealogy of Schizophonic Mimesis (1996)Pygmy POP. A Genealogy of Sch…The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity…Time and the Other: How Anthropology Makes Its Object (1983)Dipesh Chakrabarty . Provincializing Europe: Postcolonial Thought and Historical Difference. (Princeton Studies in Culture/Power/History.) Princeton: Princeton University Press. 2000. Pp. xii, 301. Cloth $55.00, paper $16.95 (2001)The Location of Culture (2012)Indigenous rights, performativity and protest (2015)A History of African Popular Culture (2017)The Cambridge History of Music Criticism (2019)Social Theory and Social Structure. (1958)The Condition of Postmodernity (1991)Subculture: The Meaning of Style (1995)What Is Sociological about Music? (2010)Musical Communities: Rethinking the Collective in Music (2011)‘I Always Remember That Moment’: Peak Music Experiences as Epiphanies (2015)2. The Interpretation of Dreams (1913)The Ritual Process: Structure and Anti-Structure (1976)Postcoloniality in corporate social and environmental accountability (2017)Accountability practices in microfinance: cultural translation and the role of intermediaries (2018)Researching coloniality: A reflection on identity (2020)Postmodernism, or, The cultural logic of late capitalism (1991)Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America (2006)The role of music in ethnic identity formation in diaspora: a research review (2016)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Mimesis and alterity: a particular history of the senses (1993)The Black Atlantic: Modernity and Double Consciousness. (1997)A Sweet Lullaby for World Music (2000)The Visible Evidence of Cultural Producers (2000)Soundscapes: Toward a Sounded Anthropology (2010)Human-Machine Reconfigurations: Plans and Situated Actions (2006)The New Mobilities Paradigm (2006)A phenomenology of whiteness (2007)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)Editorial: Mobilities, Immobilities and Moorings (2006)I drum, I sing, I dance: An ethnographic study of a West African drum and dance ensemble (2017)The Florida Room (2022)On African Music (2023)Subcultures, Scenes or Tribes? None of the Above (2005)Transnational Migration Studies: Past Developments and Future Trends (2007)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Decomposed: a political ecology of music (2015)
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References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,582 cited
  • 2000Strange Encounters: Embodied Others in Post-Coloniality2,655 cited
  • 2000Western music and its others : difference, representation, and appropriation in music564 cited
  • 2004Music and the Global Order327 cited
  • 2007Beyond Exoticism285 cited
  • 1996Pygmy POP. A Genealogy of Schizophonic Mimesis284 cited
  • 2016The African Imagination in Music193 cited
  • 2004Consolidating the music scenes perspective183 cited
  • 2012Music and globalization: critical encounters175 cited
  • 2009Homi Bhabha's Third Space and African identity97 cited
  • 2014Afro-Nordic Landscapes61 cited
  • 2014Music and the Myth of Universality: Sounding Human Rights and Capabilities53 cited
  • 2006RACIALIZATION, GENDER, AND THE NEGOTIATION OF POWER IN STOCKHOLM’S AFRICAN DANCE COURSES52 cited
  • 2015Music as a site for Africanness and diaspora cultures: African musicians in the white landscape of Finland36 cited
  • 2003Ilmatar's Inspirations29 cited
  • 2012Ethnomusicology in East Africa : perspectives from Uganda and beyond

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