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Rate and review: Exploring listener motivations for engagement with music podcasts
16 references·0 citing·44 second hopsampled
Rate and review: Exploring listener motivations for engagement with music podcasts (2022)Rate and review: Exploring listener motiv…Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications (2021)Streaming’s Effects on Music …Understanding podcast users: Consumption motives and behaviors (2020)Understanding podcast users: …Podcast Uses and Gratifications Scale Development (2019)Podcast Uses and Gratificatio…Making ‘Maximum Fun’ for fans: Examining podcast listener participation online (2016)Making ‘Maximum Fun’ for fans…How podcasting is changing the audio storytelling genre (2016)How podcasting is changing th…Why Pod? Further Explorations of the Motivations for Independent Podcasting (2014)Why Pod? Further Explorations…Podcast creation as transformative music engagement (2014)Podcast creation as transform…Big Data, new epistemologies and paradigm shifts (2014)Big Data, new epistemologies …The impact of peer-produced criticism on cultural evaluation: A multilevel analysis of discourse employment in online and offline film reviews (2013)The impact of peer-produced c…“Anyone who Calls Muse a Twilight Band will be Shot on Sight”: Music, Distinction, and the “Interloping Fan” in the Twilight Franchise (2013)“Anyone who Calls Muse a Twil…CRITICAL QUESTIONS FOR BIG DATA (2012)CRITICAL QUESTIONS FOR BIG DA…The computational turn: thinking about the digital humanities (2011)The computational turn: think…Doing radio, making friends, and having fun: Exploring the motivations of independent audio podcasters (2011)Doing radio, making friends, …Examining the Motives of Podcast Users (2010)Examining the Motives of Podc…The Legitimacy of Book Critics in the Age of the Internet and Omnivorousness: Expert Critics, Internet Critics and Peer Critics in Flanders and the Netherlands (2009)The Legitimacy of Book Critic…PRODUCTIVE SPACES (2007)PRODUCTIVE SPACESThe Strength of Weak Ties (1973)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)The Real-Time City? Big Data and Smart Urbanism (2013)The Relevance of Algorithms (2014)Algorithms at Work: The New Contested Terrain of Control (2019)The Effect of Word of Mouth on Sales: Online Book Reviews (2006)The Wealth of Networks (2017)Valuing subjectivity in journalism: Bias, emotions, and self-interest as tools in arts reporting (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Digital humanities and digital social reading (2021)Uses and Gratifications Research (1973)The long tail: why the future of business is selling less of more (2007)Blogs, Wikipedia, Second Life, and beyond: from production to produsage (2009)Podcasting: A Decade in the Life of a “New” Audio Medium: Introduction (2015)Podcasting: Considering the evolution of the medium and its association with the word ‘radio’ (2016)The Platforms of Podcasting: Past and Present (2019)Mass Media Research: An Introduction (1991)Predictors of Internet Use (2000)Uses and Gratifications Theory in the 21st Century (2000)Three Approaches to Qualitative Content Analysis (2005)Qualitative Content Analysis (2008)The politics of ‘platforms’ (2010)THE STRUCTURE OF SCIENTIFIC REVOLUTIONS (1963)The Structure of Scientific Revolutions (1963)Algorithmic regulation: A critical interrogation (2017)Working and organizing in the age of the learning algorithm (2018)A Topic Modeling Comparison Between LDA, NMF, Top2Vec, and BERTopic to Demystify Twitter Posts (2022)The long tail : how endless choice is creating unlimited demand (2006)Will the iPod Kill the Radio Star? Profiling Podcasting as Radio (2006)Higher education and its post-coronial future: utopian hopes and dystopian fears at Cambridge University during Covid-19 (2020)What is a podcast? Considering innovations in podcasting through the six-tensions framework (2022)Social media engagement: What motivates user participation and consumption on YouTube? (2016)Audio communication in the face of the renaissance of digital audio (2022)Why people listen: Motivations and outcomes of podcast listening (2022)Music in Everyday Life (2000)The Audible Past (2003)Social Acceleration (2013)Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music (2022)How does involvement build loyalty towards music-streaming platforms? A multi-analytical SEM-ANN technique (2022)Sounds like meritocracy to my ears: exploring the link between inequality in popular music and personal culture (2022)Computing Machinery and Intelligence (1950) (2004)Computational Social Science (2009)The walkthrough method: An approach to the study of apps (2016)
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References

  • 2012CRITICAL QUESTIONS FOR BIG DATA5,609 cited
  • 2014Big Data, new epistemologies and paradigm shifts2,437 cited
  • 2011The computational turn: thinking about the digital humanities346 cited
  • 2010Examining the Motives of Podcast Users308 cited
  • 2020Understanding podcast users: Consumption motives and behaviors246 cited
  • 2016How podcasting is changing the audio storytelling genre237 cited
  • 2011Doing radio, making friends, and having fun: Exploring the motivations of independent audio podcasters199 cited
  • 2014Why Pod? Further Explorations of the Motivations for Independent Podcasting125 cited
  • 2009The Legitimacy of Book Critics in the Age of the Internet and Omnivorousness: Expert Critics, Internet Critics and Peer Critics in Flanders and the Netherlands116 cited
  • 2021Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications106 cited
  • 2013The impact of peer-produced criticism on cultural evaluation: A multilevel analysis of discourse employment in online and offline film reviews101 cited
  • 2019Podcast Uses and Gratifications Scale Development100 cited
  • 2007PRODUCTIVE SPACES80 cited
  • 2016Making ‘Maximum Fun’ for fans: Examining podcast listener participation online53 cited
  • 2014

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Podcast creation as transformative music engagement
52 cited
  • 2013“Anyone who Calls Muse a Twilight Band will be Shot on Sight”: Music, Distinction, and the “Interloping Fan” in the Twilight Franchise39 cited
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