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Hip Hop Africa: New African Music in a Globalizing World
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(1971)Basic color terms: their universality and evolution. By Brent Berlin and Paul Kay. Berkeley & Los Angeles: University of California Press, 1969. Pp. xi, 178. $8.50. (1973)The faculty of language: what's special about it? (2005)Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)The Power of Identity (2002)Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language (2008)The Local and the Global in Networks of Lebanese and Algerian Rappers (2019)MEMES, MONSTERS, AND THE DIGITAL GROTESQUE (2024)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Growing Up Global: Economic Restructuring and Children’s Everyday Lives (2004)Political Protest in Contemporary Africa (2018)The Africa Problem of Global Urban Theory: Re-conceptualising Planetary Urbanisation (2018)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Life as Politics : How Ordinary People Change the Middle East (2010)Life as politics: how ordinary people change the Middle East (2010)Performing the self : rappers, urban space and identity in Dar es Salaam (2014)« On n’est pas à vendre ». L’économie politique du rap dans la Tunisie post-révolution (2016)Rap it up, share it up: Identity politics of youth “social” movement in Moroccan online rap music (2019)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Production of Space (1992)Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)Keepin’ It Real: Authenticity, Commercialization, and the Media in Korean Hip Hop (2017)Socio-Politically Relevant Pedagogy for Immigrant and Refugee Youth (2017)‘Jianghu flow’: examining cultural resonance in The Rap of China (2020)Talkin and Testifyin: The Language of Black America (1977)Black noise: rap music and black culture in contemporary America (1994)A mystical cosmopolitanism: Sufi Hip Hop and the aesthetics of Islam in Dakar (2017)Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene (2019)Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing and Maintaining ‘Underground’ Status at a Time of Increasing Popularity (2020)Modernity at Large: Cultural Dimensions of Globalization. (1998)Music Refuge (2025)In my father's house: Africa in the philosophy of culture (1992)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Afro-Sweden (2022)Against Afropolitanism: Race and the Black migrant body in contemporary African poetry (2022)A Brief History of Neoliberalism (2005)A Brief History of Neoliberalism (2020)Development as Freedom (2009)Global Law and Sustainable Development: Change and the “Developing–Developed Country” Terminology (2016)Assessing the potential of the craft sector’s contribution to employment and gross domestic product in South Africa (2022)Rethinking the contribution of creative economies in Africa to sustainable development. An empirical research of creative intermediaries in Accra’s contemporary art sector (2025)
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  • 2015The politics oftaqlidirap: reimagining Moroccanness in the era of global flows29 cited
  • 2017Why Afropolitanism Matters29 cited
  • 2014“The Old Man Is Dead”: Hip Hop and the Arts of Citizenship of Senegalese Youth23 cited
  • 2014On the Grammar of a Senegalese Drum Language22 cited
  • 2016‘The world is yours’: the globalization of hip-hop language21 cited
  • 2020Developing Cultural Industries: Learning from the Palimpsest of Practice21 cited
  • 2017Afrovision: rehearsing diasporic Africanism in a Tel-Aviv nightclub21 cited
  • 2018Love, Struggle, and Compromises: The Political Seriousness of Nairobi Underground Hip Hop18 cited
  • 2016LOCATING HIP HOP ORIGINS: POPULAR MUSIC AND TRADITION IN SENEGAL18 cited
  • 2013Unravelling distinct voices in Moroccan rap: evading control, weaving solidarities, and building new spaces for self-expression17 cited
  • 2015To Make Song Without Singing: Hip Hop and Popular Music in Senegal14 cited
  • 2019African hip hop as a rhizomic art form articulating urban youth identity and resistance with reference to Kenyan genge and Ghanaian hiplife14 cited
  • 2017Hip Hop at Europe's Edge: Music, Agency, and Social Change12 cited
  • 2016“Baay is the spiritual leader of the rappers”: performing Islamic reasoning in Senegalese Sufi hip-hop

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12 cited
  • 2019Performing excess: urban ceremony and the semiotics of precarity in Guinea-Conakry6 cited
  • 2018Music and Postcolonial Africa5 cited