SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Voicing Omnivorousness, Assembling the Omnivorous Voice: The American Musical Explored
16 references·0 citing·41 second hop
Voicing Omnivorousness, Assembling the Omnivorous Voice: The American Musical Explored (2022)Voicing Omnivorousness, Assembling the Om…Genre Complexes in Popular Music (2016)Genre Complexes in Popular Mu…Categorizing Sound (2016)Categorizing SoundRoutledge International Handbook of the Sociology of Art and Culture (2015)Routledge International Handb…The Oxford Handbook of Singing (2014)The Oxford Handbook of SingingPop-rock music: aesthetic cosmopolitanism in late modernity (2014)Pop-rock music: aesthetic cos…Unravelling the omnivore: A field analysis of contemporary musical taste in the United Kingdom (2011)Unravelling the omnivore: A f…Enchanted Evenings: The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber (2009)Enchanted Evenings: The Broad…Culture, Class, Distinction (2009)Culture, Class, DistinctionModes of openness to cultural diversity: Humanist, populist, practical, and indifferent (2008)Modes of openness to cultural…Understanding Cultural Omnivorousness: Or, the Myth of the Cultural Omnivore (2007)Understanding Cultural Omnivo…Problems in comparative research: The example of omnivorousness (2005)Problems in comparative resea…Social Differentiation in Musical Taste Patterns (2001)Social Differentiation in Mus…The Rules of Art (1996)The Rules of ArtChanging Highbrow Taste: From Snob to Omnivore (1996)Changing Highbrow Taste: From…Cultivating Differences: Symbolic Boundaries and the Making of Inequality. (1993)Cultivating Differences: Symb…Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Understanding audience segmen…Distinction. A Social Critique of the Judgement of Taste (1985)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)The individual and the mixing of genres: Cultural dissonance and self-distinction (2008)The Sociology of Consumption: Its Recent Development (2015)What Does It Mean to Span Cultural Boundaries? Variety and Atypicality in Cultural Consumption (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)The Strength of Weak Ties (1973)Distinction: A Social Critique of the Judgement of Taste. (1985)Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing (2007)Cultural capital today (2008)The Long Revolution (1961)Writing Culture: The Poetics and Politics of Ethnography (1986)Culture shift in advanced industrial society (1990)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Cultural capital in educational research: A critical assessment (2003)Talk Is Cheap (2014)Reproduction in Education, Society and Culture (1978)Reproduction in Education, Society and Culture (1979)Culture, Class, and Connections (1996)How Cultural Tastes Shape Personal Networks (2006)Studying Popular Music (1990)Structural Equations with Latent Variables. (1991)The Production of Culture Perspective (2004)Ideal Affect: Cultural Causes and Behavioral Consequences (2007)Classification in Art (1987)The Consumer Society: Myths and Structures (1998)Are we all cultural intermediaries now? An introduction to cultural intermediaries in context (2012)Social space and cultural class divisions: the forms of capital and contemporary lifestyle differentiation (2017)From Aristocratic to Ordinary: Shifting Modes of Elite Distinction (2020)The Structure of Scientific Revolutions (1963)Social Capital in the Creation of Human Capital (1988)Speaking Sociologically with Big Data: Symphonic Social Science and the Future for Big Data Research (2017)Class, Control, and Classical Music (2019)How to Conduct a Mixed Methods Study: Recent Trends in a Rapidly Growing Literature (2011)A New Model of Social Class? Findings from the BBC’s Great British Class Survey Experiment (2013)“Science capital”: A conceptual, methodological, and empirical argument for extending bourdieusian notions of capital beyond the arts (2015)Legitimacy as a Social Process (2006)Why Status Matters for Inequality (2013)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)Bourdieu, the media and cultural production (2006)Ways of constructing research questions: gap-spotting or problematization? (2010)
this work references cited by second hop

References

  • 1996Changing Highbrow Taste: From Snob to Omnivore2,443 cited
  • 1996The Rules of Art2,397 cited
  • 2009Culture, Class, Distinction1,370 cited
  • 1993Cultivating Differences: Symbolic Boundaries and the Making of Inequality.1,196 cited
  • 1992Understanding audience segmentation: From elite and mass to omnivore and univore1,183 cited
  • 2005Problems in comparative research: The example of omnivorousness579 cited
  • 2001Social Differentiation in Musical Taste Patterns402 cited
  • 2007Understanding Cultural Omnivorousness: Or, the Myth of the Cultural Omnivore347 cited
  • 2015Routledge International Handbook of the Sociology of Art and Culture310 cited
  • 2008Modes of openness to cultural diversity: Humanist, populist, practical, and indifferent259 cited
  • 2016Categorizing Sound206 cited
  • 2014The Oxford Handbook of Singing186 cited
  • 2011Unravelling the omnivore: A field analysis of contemporary musical taste in the United Kingdom185 cited
  • 2014Pop-rock music: aesthetic cosmopolitanism in late modernity181 cited
  • 2009Enchanted Evenings: The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber109 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2016
Genre Complexes in Popular Music
93 cited

Cited by

No citing works inside the corpus for this window.