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“Enterarse de viva voz de las peores cosas”: La escucha en el contexto de actos escénicos que usan la memoria como material en un escenario post-traumático
2 references·1 citing·9 second hop
“Enterarse de viva voz de las peores cosas”: La escucha en el contexto de actos escénicos que usan la memoria como material en un escenario post-traumático (2019)“Enterarse de viva voz de las peores cosa…For More than One Voice: Toward a Philosophy of Vocal Expression (2006)For More than One Voice: Towa…On listening to Holocaust survivors: recounting and life history (1999)On listening to Holocaust sur…Moving-With Anastasis Corporal, a path to implicated witnessing (2023)Moving-With Anastasis Corpora…Choreographing empathy: kinesthesia in performance (2011)Indigenous Research Methodologies (2012)The Implicated Subject (2020)Voice Studies (2015)After Ovid, After Theory (2019)Multivocality (2020)The hermeneutics of faith and the hermeneutics of suspicion (2004)Autoethnography: An Overview (2010)Collaborative Witnessing of Survival During the Holocaust (2013)
this work references cited by second hop

References

  • 2006For More than One Voice: Toward a Philosophy of Vocal Expression119 cited
  • 1999On listening to Holocaust survivors: recounting and life history118 cited

Cited by

  • 2023Moving-With Anastasis Corporal, a path to implicated witnessing4 cited

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