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Chambering Music
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Chambering Music (2022)Chambering MusicAffective communities (2019)Affective communitiesValuing live music: The UK Live Music Census 2017 report (2018)Valuing live music: The UK Li…The Oxford Handbook of Music Making and Leisure (2017)The Oxford Handbook of Music …(Un)popular music and young audiences: Exploring the classical chamber music concert from the perspective of young adult listeners (2017)(Un)popular music and young a…History without royalty? Queen and the strata of the popular music canon (2013)History without royalty? Quee…Chamber music: an essential history (2012)Chamber music: an essential h…What Is Sociological about Music? (2010)What Is Sociological about Mu…Music as social life: the politics of participation (2009)Music as social life: the pol…Audience development in the arts: A case study of chamber music (2007)Audience development in the a…Twentieth-Century Chamber Music (2004)Twentieth-Century Chamber Mus…Why Doesn't the Whole World Love Chamber Music? (2001)Why Doesn't the Whole World L…The Work-Concept and Composer-Centredness (2000)The Work-Concept and Composer…Intimacy: A Special Issue (1998)Intimacy: A Special IssueThe imaginary museum of musical works: an essay in the philosophy of music (1993)The imaginary museum of music…Terminal Prestige: The Case of Avant-Garde Music Composition (1989)Terminal Prestige: The Case o…Covert and Casual Values in Recent Writings about Music (1987)Covert and Casual Values in R…The New Grove Dictionary of Music and Musicians (1981)The Two Versions of Bruckner's Eighth Symphony (1992)The classical style: Haydn, Mozart, Beethoven (1997)Between Enlightenment and Romanticism in Music History:"First Viennese Modernism" and the Delayed Nineteenth Century (2001)The New Grove dictionary of music and musicians (2001)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)Critique and Renewal in the Sociology of Music: Bourdieu and Beyond (2011)Genre Complexes in Popular Music (2016)The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? (2020)Textual poachers : television fans & participatory culture (1992)Musicking: The Meanings of Performing and Listening (2000)How Popular Musicians Learn: A Way Ahead for Music Education (2002)Crowdsourcing Linked Data on listening experiences through reuse and enhancement of library data (2018)Popular, Informal, and Vernacular Music Classrooms: A Review of the Literature (2018)Understanding Audiences: A Critical Review of Audience Research (2019)Affective atmospheres (2009)Affective regimes on Wilton Drive: a multimodal analysis (2020)Journalism as an Affective Institution. Emotional Labor and the Discourse on Fraud at Der Spiegel (2021)‘All your image are belong to us’: heritagization, archiving and historicization of memes (2024)Enabling Disability: Rewriting Kinship, Reimagining Citizenship (2001)‘Sending Dollars Shows Feeling’ – Emotions and Economies in Filipino Migration (2007)Passing Propinquities in the Multicultural City: The Everyday Encounters of Bus Passengering (2011)Copyright, the Work and Phonographic Orality in Music (2006)Musical interpretation: philosophical and practical issues (2007)The Beethoven Syndrome (2020)Eruptions: heavy metal appropriations of classical virtuosity (1992)Sound archaeology: terminology, Palaeolithic cave art and the soundscape (2014)Balance Problems: Neoliberalism and New Music in the American University and Ensemble (2018)Challenging symbolic violence and hegemony in music education through contemporary pedagogical approaches (2017)From music making to affective well-being in everyday life: The mediating role of need satisfaction. (2019)The Recording Industry as the Enemy? A Case Study of Early West German Metal Music (2021)The End of Early Music (2007)I Did It My Way: Rock and the Logic of Covers (2010)The Oxford Handbook of The American Musical (2011)Musical Communities: Rethinking the Collective in Music (2011)Playing to the Crowd (2019)
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References

  • 2009Music as social life: the politics of participation1,555 cited
  • 1998Intimacy: A Special Issue1,108 cited
  • 1993The imaginary museum of musical works: an essay in the philosophy of music598 cited
  • 2010What Is Sociological about Music?214 cited
  • 1989Terminal Prestige: The Case of Avant-Garde Music Composition91 cited
  • 2017The Oxford Handbook of Music Making and Leisure83 cited
  • 1987Covert and Casual Values in Recent Writings about Music75 cited
  • 2000The Work-Concept and Composer-Centredness53 cited
  • 2019Affective communities47 cited
  • 2017(Un)popular music and young audiences: Exploring the classical chamber music concert from the perspective of young adult listeners27 cited
  • 2004Twentieth-Century Chamber Music26 cited
  • 2013History without royalty? Queen and the strata of the popular music canon24 cited
  • 2018Valuing live music: The UK Live Music Census 2017 report24 cited
  • 2007Audience development in the arts: A case study of chamber music24 cited
  • 2001Why Doesn't the Whole World Love Chamber Music?21 cited
  • 2012Chamber music: an essential history

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