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Transactional Culture of the Portfolio Career Chamber Musician: A Case Study
16 references·1 citing·33 second hop
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References

  • 2006Using thematic analysis in psychology193,725 cited
  • 2000Bowling alone: the collapse and revival of American community28,790 cited
  • 1981The Dialogic Imagination: Four Essays9,726 cited
  • 1993An Invitation of Reflexive Sociology8,374 cited
  • 1990Sources of the self: the making of the modern identity7,135 cited
  • 1951Homo Ludens: A Study of the Play-Element in Culture.6,561 cited
  • 1969The Senses Considered as Perceptual Systems6,336 cited
  • 1997Transformative Learning: Theory to Practice4,437 cited
  • 2006Frontiers of justice: disability, nationality, species membership3,802 cited
  • 1969The Senses Considered as Perceptual Systems2,747 cited
  • 1994The Work Preference Inventory: Assessing intrinsic and extrinsic motivational orientations.1,892 cited
  • 2000Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians1,758 cited
  • 2009Music as social life: the politics of participation1,555 cited
  • 1999Musicking: the meanings of performing and listening1,526 cited
  • 2011Relational aesthetics1,517 cited
  • 2007The Phenomenological Mind

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  • 2024From Portfolio to Platform Career3 cited