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Beyond Orpheus: Studies in Musical Structure
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Beyond Orpheus: Studies in Musical Structure (1979)Beyond Orpheus: Studies in Musical Struct…Translating musical meaning (2023)Translating musical meaningThe (f)utility of performance analysis (2023)The (f)utility of performance…Music in Profile (2023)Music in ProfileSchoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid (2019)Schoenberg – Schenker – Bach.…Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure (2010)Memesatz contra Ursatz: Memet…›Thematicism‹: Geschichte eines analytischen Konzepts in der nordamerikanischen Musiktheorie (2009)›Thematicism‹: Geschichte ein…Musik als Zeitverlauf. Prozeßorientierte Analyseverfahren in der amerikanischen Musiktheorie (2005)Musik als Zeitverlauf. Prozeß…FIVE Metrical Revisions (1999)FIVE Metrical RevisionsUnheard Melodies: The Force of Form (1992)Unheard Melodies: The Force o…Schenkerian Theory (1989)Schenkerian TheoryThe Rhythms of Form: Correspondence and Analogy in Stravinsky's Designs (1987)The Rhythms of Form: Correspo…Stravinsky: The Progress of a Method (1962)Music, the Arts and Ideas: Patterns and Predictions in Twentieth-Century Culture (1968)On the Problem of Succession and Continuity in Twentieth-Century Music (1986)The Synthesis of Rhythms: Form, Ideology, and the “Augurs of Spring” (2007)The Music of Pavel Haas (2020)Nothing in Biology Makes Sense except in the Light of Evolution (1973)Exaptation—a Missing Term in the Science of Form (1982)Darwin's dangerous idea: evolution and the meanings of life (1995)‘The Heavens are Telling’: Memetic– Calvinian Readings of a Haydn Chord Progression (2012)Using Galant Schemata as Evidence for Universal Darwinism (2013)A memetic analysis of a phrase by Beethoven: Calvinian perspectives on similarity and lexicon-abstraction (2015)Rhetoric of Motives (1969)Absorption and Theatricality (1980)Looking at the Overlooked. Four Essays on Still Life Painting (1991)Explaining Music (1973)Structural Functions in Music (1977)The time of music: new meanings, new temporalities, new listening strategies (1989)The Thematic Process in Music (1951)A Guide to Musical Analysis (1988)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Fundamentals of Musical Composition (1968)Soziale Systeme: Grundriß einer allgemeinen Theorie (1984)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)A Generative Theory of Tonal Music (1996)Technologies of the self: a seminar with Michel Foucault (1988)The Narrative Construction of Reality (1991)Autoethnography: An Overview (2010)Performing Knowledge (2020)
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Cited by

  • 2019Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid24 cited
  • 2023Translating musical meaning19 cited
  • 2010Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure13 cited
  • 1987The Rhythms of Form: Correspondence and Analogy in Stravinsky's Designs13 cited
  • 2023Music in Profile7 cited
  • 1992Unheard Melodies: The Force of Form7 cited
  • 1989Schenkerian Theory7 cited
  • 2023The (f)utility of performance analysis4 cited
  • 2005Musik als Zeitverlauf. Prozeßorientierte Analyseverfahren in der amerikanischen Musiktheorie3 cited
  • 2009›Thematicism‹: Geschichte eines analytischen Konzepts in der nordamerikanischen Musiktheorie3 cited
  • 1999FIVE Metrical Revisions3 cited

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