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Cited by

• 2013A “Brutology” of Bozal: Tracing a Discourse Genealogy from Nineteenth-Century Blackface Theater to Twenty-First-Century Spirit Possession in Cuba55 cited
• 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism52 cited
• 2004"Messin' with the Furniture Man": Early Country Music, Regional Culture, and the Search for an Anthological Modernism46 cited
• 2012The Filmed Musical32 cited
• 2012The Television Musical27 cited
• 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism27 cited
• 2017American Musical Theatre before the Twentieth Century25 cited
• 2012Knowing Your Audience16 cited
• 2012After the “Golden Age”10 cited
• 2018Pale imitations: White performances of slave dance in the public theatres of pre-revolutionary Saint-Domingue8 cited
• 2010Rural as Racialized Plantation vs Rural as Modern Reconnection: Blackness and Agency in Disney’s Song of the South and The Princess and the Frog7 cited
• 2017“The story I must tell”: “ Jingle Bells ” in the Minstrel Repertoire4 cited
• 2012Dance and Choreography3 cited
• 2017The Coming of the Musical Play: Rodgers and Hammerstein3 cited