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The Challenge of the Heritage of Protest Movements
8 references·1 citing·32 second hop
The Challenge of the Heritage of Protest Movements (2022)The Challenge of the Heritage of Protest …Collecting Pandemic Phenomena: Reflections on Rapid Response Collecting and the Art Museum (2021)Collecting Pandemic Phenomena…UNESCO and the Challenge of Preserving the Digital Cultural Heritage (2020)UNESCO and the Challenge of P…The End of Passive Collecting: The Role and Responsibility of Archivists in the COVID-19 Era (2020)The End of Passive Collecting…Digital Museum Objects and Memory: Postdigital Materiality, Aura and Value (2020)Digital Museum Objects and Me…Museological activism and cultural citizenship (2019)Museological activism and cul…Archiving and Preserving Social Media at the Library of Congress: Institutional and Cultural Challenges to Build a Twitter Archive (2018)Archiving and Preserving Soci…The Future of Art in a Postdigital Age (2011)The Future of Art in a Postdi…Tending the Garden or Harvesting the Fields: Digital Preservation and the UNESCO Charter on the Preservation of the Digital Heritage (2007)Tending the Garden or Harvest…The evolving landscape of web and social media archiving: a comprehensive review of current practices in national libraries and archives (2025)The evolving landscape of web…Intangible Heritage as Metacultural Production1 (2004)Cultural Research and Intangible Heritage (2009)Intangible Heritage as Metacultural Production (2014)Endangerment-driven heritage volunteering: democratisation or ‘Changeless Change’ (2017)The Convention for the Safeguarding of the Intangible Cultural Heritage (2018)The Digital Preservation of Intangible Cultural Heritage in China: A Survey (2019)The Twitter Archive at the Library of Congress: Challenges for information practice and information policy (2015)Personal information management on social media from the perspective of platform support: a text analysis based on the Chinese social media platform policy (2021)Social media as part of personal digital archives: exploring users’ practices and service providers’ policies regarding the preservation of digital memories (2022)Value co‐creation in cultural heritage information practices: Literature review and future agenda: An Annual Review of Information Science and Technology (ARIST) paper (2023)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)The Language of New Media (2002)Uses of Heritage (2006)Building Shared Guardianship through Blockchain Technology and Digital Museum Objects (2021)Information and Knowledge Organisation in Digital Humanities (2021)Theorizing Born Digital Objects: Museums and Contemporary Materialities (2021)Museums in Motion: An Introduction to the History and Functions of Museums (1980)Crisis Documentation and Oral History: Problematizing Collecting and Preserving Practices in a Digital World (2022)Crowd Coaxing and Citizen Storytelling in Archives of Crisis (2022)Remembering Women Scientists: The Case for Proactively Documenting Women in Science (2022)Should We Trust Web-Based Studies? A Comparative Analysis of Six Preconceptions About Internet Questionnaires. (2004)Social media for large studies of behavior (2014)Feedback from research participants: are member checks useful in qualitative research? (2016)Mediated recordkeeping and epistemic accountability in social media archiving (2026)“Until dignity becomes customary” archiving the #28A strike in Colombia (2025)In what ways can Rapid Response Collecting be utilised by museums as a curatorial approach in advocating increased democratic and egalitarian approaches towards art within society? (2023)Migrant Life Stories as Digital Heritage (2022)Cultural Heritage at Risk in World Conflicts: Digital Tools’ Contribution to Its Preservation (2024)Culture-Based Education Innovation for Children's Character Building in the Context of Educational Tourism Destinations (2024)‘Imagineering’ mixed reality (MR) immersive experiences in the postdigital revolution: innovation, collectivity, participation and ethics in staging experiments as performances (2018)State of the Art Fair Post-Covid: Audience Development Strategies in a Post-Digital Context (2021)Postdigital Visual Arts (2023)
this work references cited by second hop

References

  • 2007Tending the Garden or Harvesting the Fields: Digital Preservation and the UNESCO Charter on the Preservation of the Digital Heritage46 cited
  • 2011The Future of Art in a Postdigital Age42 cited
  • 2020Digital Museum Objects and Memory: Postdigital Materiality, Aura and Value40 cited
  • 2018Archiving and Preserving Social Media at the Library of Congress: Institutional and Cultural Challenges to Build a Twitter Archive35 cited
  • 2020UNESCO and the Challenge of Preserving the Digital Cultural Heritage28 cited
  • 2021Collecting Pandemic Phenomena: Reflections on Rapid Response Collecting and the Art Museum15 cited
  • 2020The End of Passive Collecting: The Role and Responsibility of Archivists in the COVID-19 Era9 cited
  • 2019Museological activism and cultural citizenship5 cited

Cited by

  • 2025The evolving landscape of web and social media archiving: a comprehensive review of current practices in national libraries and archives1 cited

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