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'When we connect, there is only music': A phenomenological account of musical connectivity in sitar and tabla
11 references·0 citing·42 second hop
'When we connect, there is only music': A phenomenological account of musical connectivity in sitar and tabla (2020)'When we connect, there is only music': A…A Phenomenology of Musical Absorption (2018)A Phenomenology of Musical Ab…Embodied Knowledge in Ensemble Performance (2017)Embodied Knowledge in Ensembl…Role, Status and Hierarchy in the Performance of North Indian Classical Music (2015)Role, Status and Hierarchy in…Combined flow in musical jam sessions: A pilot qualitative study (2013)Combined flow in musical jam …Musicking Bodies: Gesture and Voice in Hindustani Music (2012)Musicking Bodies: Gesture and…Music as social life: the politics of participation (2009)Music as social life: the pol…Being Together in Time: Musical Experience and the Mirror Neuron System (2009)Being Together in Time: Music…The Distribution of Authority in the Performance of North Indian Vocal Music (2007)The Distribution of Authority…Modes of communication during jazz improvisation (2005)Modes of communication during…Dhrupad: tradition and performance in Indian music (2005)Dhrupad: tradition and perfor…Indian Music in Performance: A Practical Introduction (1984)Indian Music in Performance: …Action recognition in the premotor cortex (1996)Empathy: Its ultimate and proximate bases (2002)THE MIRROR-NEURON SYSTEM (2004)Searching for Roots of Entrainment and Joint Action in Early Musical Interactions (2012)Rhythm in joint action: psychological and neurophysiological mechanisms for real-time interpersonal coordination (2014)Silent disco: dancing in synchrony leads to elevated pain thresholds and social closeness (2016)Flow: the psychology of optimal experience (1990)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)Constructing grounded theory : a practical guide through qualitative analysis (2006)Creating Time: Social Collaboration in Music Improvisation (2017)Group flow: A scoping review of definitions, theoretical approaches, measures and findings (2018)Flow and Satisfaction With Life in Elite Musicians and Top Athletes (2019)A comparison of modes of communication between members of a string quartet and a jazz sextet (2009)Dimensions of Music Improvisation (2009)Democracy and Education (2015)The Discovery of Grounded Theory (2017)The Discovery of Grounded Theory (2017)Creative Collaboration and Collaborative Creativity: A Systematic Literature Review (2021)Interaction Ritual: Essays on Face-to-Face Behavior. (1968)A Social Psychologist Discovers Chicago Sociology (1989)Listening to North Indian Classical Music: How Embodied Ways of Listening Perform Imagined Histories and Social Class (2017)Temporalities of North Indian Classical Listening: How Listeners Use Music to Construct Time (2021)The varying social dynamics in orally transmitted and notated vs. improvised musical performance (2023)Outline of a Theory of Practice. (1980)Metaphors We Live By (2003)Anthropology and Voice (2014)The Race of Sound (2018)The Race of Sound Listening, Timbre, and Vocality in African American Music (2019)Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)That Ban(e) of Indian Music: Hearing Politics in The Harmonium (2011)Improvisation as ‘Other’: Creativity, Knowledge and Power – The Case of Iranian Classical Music (2003)Communication in Indian raga performance (2005)The Guru Recontextualized? Perspectives on Learning North Indian Classical Music in Shifting Environments for Professional Training (2007)Processes and Experiences of Creative Cognition in Seven Western Classical Composers (2020)Framing a Phenomenological Mixed Method: From Inspiration to Guidance (2021)The Self and its Disorders (2023)What Is Sociological about Music? (2010)Musical Communities: Rethinking the Collective in Music (2011)Playing to the Crowd (2019)Singing and social inclusion (2014)Instrumentality. On the Construction of Instrumental Identity (2016)Sound Actions (2022)
this work references cited by second hop

References

  • 2009Music as social life: the politics of participation1,557 cited
  • 2009Being Together in Time: Musical Experience and the Mirror Neuron System501 cited
  • 2005Modes of communication during jazz improvisation165 cited
  • 2018A Phenomenology of Musical Absorption156 cited
  • 2012Musicking Bodies: Gesture and Voice in Hindustani Music120 cited
  • 2005Dhrupad: tradition and performance in Indian music103 cited
  • 2013Combined flow in musical jam sessions: A pilot qualitative study97 cited
  • 2017Embodied Knowledge in Ensemble Performance41 cited
  • 1984Indian Music in Performance: A Practical Introduction23 cited
  • 2015Role, Status and Hierarchy in the Performance of North Indian Classical Music21 cited
  • 2007The Distribution of Authority in the Performance of North Indian Vocal Music7 cited

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