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Hit men: power brokers and fast money inside the music business
0 references·12 citing·53 second hop
Hit men: power brokers and fast money inside the music business (1990)Hit men: power brokers and fast money ins…Entertainment Industry Economics (2020)Entertainment Industry Econom…Economic Perspectives (2020)Economic PerspectivesLeveraging Youth: Overcoming Intergenerational Tensions in Creative Production (2019)Leveraging Youth: Overcoming …Success ratios, new music and sound recording copyright (2017)Success ratios, new music and…Obfuscatory Relational Work and Disreputable Exchange (2014)Obfuscatory Relational Work a…Music Radio and the Record Industry: Songs, Sounds, and Power (2011)Music Radio and the Record In…5. Modeling Diffusion of Multiple Innovations via Multilevel Diffusion Curves: Payola in Pop Music Radio (2008)5. 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  • 1995Re-examining the concept of the ‘independent’ record company: the case of Wax Trax! records146 cited
  • 2014Obfuscatory Relational Work and Disreputable Exchange126 cited
  • 2020Entertainment Industry Economics88 cited
  • 2005“Take Those Old Records off the Shelf”: Youth and Music Consumption in the Postmodern Age66 cited
  • 1993Plugging and programming: pop radio and record promotion in Britain and the United States36 cited
  • 20085. Modeling Diffusion of Multiple Innovations via Multilevel Diffusion Curves: Payola in Pop Music Radio30 cited
  • 2020Economic Perspectives22 cited
  • 2019Leveraging Youth: Overcoming Intergenerational Tensions in Creative Production19 cited
  • 2011Music Radio and the Record Industry: Songs, Sounds, and Power14 cited
  • 1997Funkentelechy vs. the Stockholm syndrome: The place of industrial analysis in popular music studies5 cited
  • 2017Success ratios, new music and sound recording copyright5 cited
  • 1992A department of their own: A modest proposal for the design of music business and technology programs4 cited

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