Prototype, competition and market. The market for early music concerts

Pierre François

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Musicology and Musical Analysis Music History and Culture Management and Organizational Studies

Abstract

The article analyzes the particular case of early music concerts as a prototype market. It first presents an ideal-typical definition of the prototype, which it then uses to bring to light the prototypical character of early music concerts. It then shows how this concert market and the main mode of marketing concerts (organizing a concert tour) is based on competition mechanisms and exchange logic that vary by whether transactions are with regular or sporadic partners.

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References

1972Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems 1981The quasifirm in the construction industry 1987Short-Term Projects and Emergent Careers: Evidence from Hollywood 1998Max Weber and the Idea of Economic Sociology 1989Conventions de qualité et formes de coordination 1959Bureaucratic and Craft Administration of Production: A Comparative Study 1989L'économie de la qualité 1996Dispositifs de confiance et engagements crédibles

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