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The work that genre does: How music genre mediates gender inequalities in the informal work cultures of Amsterdam's nightclubs
16 references·2 citing·42 second hop
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this work references cited by second hop

References

  • 1992Black looks: race and representation4,673 cited
  • 2006Stuart Hall: Critical Dialogues in Cultural Studies3,395 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 2014Methodological Pluralism and the Possibilities and Limits of Interviewing714 cited
  • 2002CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS640 cited
  • 1998Sexing the Groove: Popular Music and Gender478 cited
  • 2003Urban Nightscapes : Youth Cultures, Pleasure Spaces and Corporate Power358 cited
  • 1999Last Night a DJ Saved My Life: The History of the Disc Jockey342 cited
  • 1998Energy Flash: A Journey Through Rave Music and Dance Culture297 cited
  • 2014Unspeakable Inequalities: Post Feminism, Entrepreneurial Subjectivity, and the Repudiation of Sexism among Cultural Workers295 cited
  • 2006Music Scenes: Local, Translocal, and Virtual.287 cited
  • 1999Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place.237 cited
  • 2015Sex, Gender and Work Segregation in the Cultural Industries211 cited
  • 1988The Tanner lectures on human values.201 cited
  • 2015Working for Free in the VIP185 cited

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  • 2019Race and the cultural industries169 cited
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    • 2024Negotiating the night: How nightclub promoters attune their curatorial practices to the intra-urban dispersal of nightlife in Amsterdam8 cited
    • 2023Beyond door policies: Cultural production as a form of spatial regulation in Amsterdam nightclubs6 cited