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Toward a Systematic Understanding of “Heaviness” in Metal Music Production
12 references·3 citing·39 second hop
Toward a Systematic Understanding of “Heaviness” in Metal Music Production (2022)Toward a Systematic Understanding of “Hea…Production perspectives of heavy metal record producers (2019)Production perspectives of he…Global Metal Music and Culture (2016)Global Metal Music and CultureGender, Metal and the Media (2016)Gender, Metal and the MediaBlack Sabbath and the Rise of Heavy Metal Music (2016)Black Sabbath and the Rise of…“Waiting for the Bass to Drop”: Correlations Between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electronic Dance Music (2014)“Waiting for the Bass to Drop…Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics (2013)Blacker than Death: Recollect…Musical Style, Ideology, and Mythology in Norwegian Black Metal (2012)Musical Style, Ideology, and …AFFECTIVE OVERDRIVE, SCENE DYNAMICS, AND IDENTITY IN THE GLOBAL METAL SCENE (2011)AFFECTIVE OVERDRIVE, SCENE DY…Towards a cultural sociology of popular music (2008)Towards a cultural sociology …Heavy Metal Carnival and Dis‐alienation: The Politics of Grotesque Realism (2006)Heavy Metal Carnival and Dis‐…Moving Beyond Motion: Metaphors for Changing Sound (2003)Moving Beyond Motion: Metapho…Popular Music and Society (1996)Popular Music and SocietyThe Heaviest Metal (2024)The Heaviest MetalFrom analogue to algorithm: How private production reshaped metal aesthetics (2024)From analogue to algorithm: H…Lorna Shore’s ‘To the Hellfire’: A study in heaviness (2023)Lorna Shore’s ‘To the Hellfir…On Collective Memory (1992)Running with the devil: power, gender, and madness in heavy metal music (1993)Extreme Metal: Music and Culture on the Edge (2006)Sex, drugs, Satan and rock and roll: re-thinking dark leisure, from theoretical framework to an exploration of pop-rock-metal music norms (2017)Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures (2018)Teutonic Metal: Effects of Place- and Mythology-based Labels on Record Production (2021)Cognitive constraints on compositional systems (1992)The contemporary theory of metaphor (1993)Music Grooves: Essays and Dialogues (2000)Metaphor and music (2008)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Enacting Musical Time (2019)Subculture: The Meaning of Style (1995)Effects of Structured Extracurricular Facilities on Students' Academic and Social Development (2012)In Defense of Textual Analysis: Resisting Methodological Hegemony in Media and Cultural Studies (2012)The theory of communicative action (2014)Putting the ‘studies’ back into metal music studies (2018)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)The Ritual Process: Structure and Anti-Structure (1976)Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010 (2011)Un(su)Stained Class? (2016)The Society of the Spectacle (2020)Performing rites: on the value of popular music (1997)Interpretative Phenomenological Analysis: Theory, Method and Research (2010)What is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers (2022)Popular Culture as Oppositional Culture: Rap as Resistance (1997)The Cambridge History of American Music (1998)The musical field (2006)Introduction (2016)Sexual violence at live music events: Experiences, responses and prevention (2019)Music and misogyny: a content analysis of misogynistic, antifeminist forums (2020)Punk is just a state of mind: Exploring what punk means to older punk women (2020)Dark tourism motivations: Simulation, emotional contagion and topographic comparison (2012)Eschewing Community: Black Metal (2014)Working metal musicians: A case of transition in the long 1980s (2023)‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects? (2019)The value of the underground: punk, politics, and creative urbanism in Bandung, Indonesia (2020)Extreme heavy metal and blasphemy in Iran: the case of Confess (2022)
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References

  • 1996Popular Music and Society256 cited
  • 2006Heavy Metal Carnival and Dis‐alienation: The Politics of Grotesque Realism116 cited
  • 2013Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics89 cited
  • 2003Moving Beyond Motion: Metaphors for Changing Sound77 cited
  • 2008Towards a cultural sociology of popular music77 cited
  • 2011AFFECTIVE OVERDRIVE, SCENE DYNAMICS, AND IDENTITY IN THE GLOBAL METAL SCENE74 cited
  • 2016Global Metal Music and Culture73 cited
  • 2019Production perspectives of heavy metal record producers60 cited
  • 2016Black Sabbath and the Rise of Heavy Metal Music57 cited
  • 2016Gender, Metal and the Media45 cited
  • 2014“Waiting for the Bass to Drop”: Correlations Between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electronic Dance Music42 cited
  • 2012Musical Style, Ideology, and Mythology in Norwegian Black Metal35 cited

Cited by

  • 2023Lorna Shore’s ‘To the Hellfire’: A study in heaviness20 cited
  • 2024The Heaviest Metal3 cited
  • 2024From analogue to algorithm: How private production reshaped metal aesthetics3 cited

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