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Characterizing paint technologies and recipes in Levantine and Schematic rock art: El Carche site as a case study (Jalance, Spain)
16 references·0 citing·32 second hop
Characterizing paint technologies and recipes in Levantine and Schematic rock art: El Carche site as a case study (Jalance, Spain) (2022)Characterizing paint technologies and rec…Characterizing the pigments and paints of prehistoric artists (2021)Characterizing the pigments a…Metal Soaps in Art (2019)Metal Soaps in ArtThe Oxford Handbook of the Archaeology and Anthropology of Rock Art (2017)The Oxford Handbook of the Ar…Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Raman spectroscopy of mineral…Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Raman spectroscopy for the in…Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Characterisation of metal car…Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy (2013)Non-invasive identification o…The first spectroscopic analysis of Ethiopian prehistoric rock painting (2011)The first spectroscopic analy…New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)New Advances in the Applicati…Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach (2009)Non-invasive identification o…Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR (2009)Identification of reaction co…Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Attenuated total reflection m…A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain (2008)A comprehensive micro‐Raman s…Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)Heated goethite and natural h…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…RED PALAEOLITHIC PIGMENTS: NATURAL HEMATITE OR HEATED GOETHITE?* (1999)RED PALAEOLITHIC PIGMENTS: NA…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)The Characterization of Metal Soaps (2003)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Modern analytical methods in art and archaeology (2000)Development and trends in synchrotron studies of ancient and historical materials (2012)Analytical chemistry in the field of cultural heritage (2015)Infrared Spectroscopy in Conservation Science (2000)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks (2015)Conservation Issues of Modern Oil Paintings: A Molecular Model on Paint Curing (2019)Recent trends in the application of Fourier Transform Infrared (FT-IR) spectroscopy in Heritage Science: from micro- to non-invasive FT-IR (2019)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)An infrared spectroscopic study of the nature of zinc carboxylates in oil paintings (2015)Fatty Acids and Their Metal Salts: A Review of Their Infrared Spectra in Light of Their Presence in Cultural Heritage (2021)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)In situ Raman spectroscopy for cultural heritage studies (2021)Appropriated pasts: indigenous peoples and the colonial culture of archaeology (2006)Early dates for ‘Neanderthal cave art’ may be wrong (2018)Colonisation and early peopling of the Colombian Amazon during the Late Pleistocene and the Early Holocene: New evidence from La Serranía La Lindosa (2020)The archaeometry of ochre sensu lato: A review (2021)Pigments used in Roman wall paintings in the Vesuvian area (2010)The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results (2010)A Decade of Raman Spectroscopy in Art and Archaeology (2007)An Early Case of Color Symbolism (2003)Archaeometry and materiality: materials‐based analysis in theory and practice* (2004)Putting ochre to the test: replication studies of adhesives that may have been used for hafting tools in the Middle Stone Age (2005)
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2007Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them?445 cited
  • 2015Raman spectroscopy for the investigation of carbon‐based black pigments251 cited
  • 2014Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art237 cited
  • 2017The Oxford Handbook of the Archaeology and Anthropology of Rock Art227 cited
  • 2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films214 cited
  • 2016Raman spectroscopy of minerals and mineral pigments in archaeometry191 cited
  • 2010New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials177 cited
  • 1999RED PALAEOLITHIC PIGMENTS: NATURAL HEMATITE OR HEATED GOETHITE?*129 cited
  • 2013Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy107 cited
  • 2009Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR106 cited
  • 2008A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain91 cited
  • 2009Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach

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84 cited
  • 2021Characterizing the pigments and paints of prehistoric artists81 cited
  • 2019Metal Soaps in Art72 cited
  • 2011The first spectroscopic analysis of Ethiopian prehistoric rock painting71 cited
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