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“Aboriginal Dances Were Always in Rings“: Music and Dance as a Sign of Identity in the Argentine Chaco
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References

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  • 2003The Archive and the Repertoire: Performing Cultural Memory in the Americas2,542 cited
  • 1983From Ritual to Theatre: The Human Seriousness of Play2,120 cited
  • 1986The anthropology of experience1,845 cited
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  • 1999Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music371 cited
  • 1998THE POLITICS AND POETICS OF DANCE233 cited
  • 1978Dance in Anthropological Perspective189 cited
  • 1962Song Structure and Social Structure173 cited
  • 2003Communicating: The Multiple Modes of Human Interconnection164 cited
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  • 1995The Sacred Self: A Cultural Phenomenology of Charismatic Healing104 cited
  • 1987Musical sound and Contextual Input: A Performance Model for Musical Analysis64 cited
  • 1993Musical Aesthetics: A Historical Reader54 cited
  • 1971Guidelines for Style Analysis

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  • 2013PERSPECTIVISMO, FENOMENOLOGÍA CULTURAL Y ETNOGRAFIAS POSCOLONIALES: INTERVENCIONES EN UN DIÁLOGO SOBRE LAS CORPORALIDADES9 cited