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When a Subculture Goes Pop: Platforms, Mavericks, and Capital in the Production of “Boys’ Love” Web Series in China
16 references·1 citing·45 second hop
When a Subculture Goes Pop: Platforms, Mavericks, and Capital in the Production of “Boys’ Love” Web Series in China (2022)When a Subculture Goes Pop: Platforms, Ma…It has never been “normal”: queer pop in post-2000 China (2020)It has never been “normal”: q…A queer “socialist brotherhood”: the Guardian web series, boys’ love fandom, and the Chinese state (2020)A queer “socialist brotherhoo…Loving Boys Twice as Much: Chinese Women’s Paradoxical Fandom of “Boys’ Love” Fiction (2016)Loving Boys Twice as Much: Ch…An Introduction to “Boys Love” in Japan (2015)An Introduction to “Boys Love…Fujoshi: Fantasy Play and Transgressive Intimacy among “Rotten Girls” in Contemporary Japan (2011)Fujoshi: Fantasy Play and Tra…Show sold separately: promos, spoilers, and other media paratexts (2010)Show sold separately: promos,…China on Video: Smaller-Screen Realities (2010)China on Video: Smaller-Scree…Boys' love manga : essays on the sexual ambiguity and cross-cultural fandom of the genre (2008)Boys' love manga : essays on …The Production of Culture Perspective (2004)The Production of Culture Per…Chinese Media, Global Contexts (2003)Chinese Media, Global ContextsNo Climax, No Point, No Meaning? Japanese Women's Boy-Love Sites on the Internet (2000)No Climax, No Point, No Meani…Alternative Media: Conceptual Difficulties, Critical Possibilities (2000)Alternative Media: Conceptual…Subculture: The Meaning of Style. (1981)Subculture: The Meaning of St…The Production of Culture (1976)The Production of CultureReward Systems in Art, Science, and Religion (1976)Reward Systems in Art, Scienc…The Forest of Symbols: Aspects of Ndembu Ritual (1970)The Forest of Symbols: Aspect…“We are snowflakes”: Minor transnationalism and the cultural resilience of slash fanfiction community in China (2023)“We are snowflakes”: Minor tr…Course in General Linguistics (1960)Desire in Language: A Semiotic Approach to Literature and Art (1981)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Patterns of listening through social media: online fan engagement with the live music experience (2012)The Influence of Paratext on Narrative Persuasion: Fact, Fiction, or Fake? 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this work references cited by second hop

References

  • 1970The Forest of Symbols: Aspects of Ndembu Ritual4,286 cited
  • 1981Subculture: The Meaning of Style.3,479 cited
  • 2010Show sold separately: promos, spoilers, and other media paratexts881 cited
  • 2004The Production of Culture Perspective705 cited
  • 1976The Production of Culture221 cited
  • 2003Chinese Media, Global Contexts153 cited
  • 2000Alternative Media: Conceptual Difficulties, Critical Possibilities110 cited
  • 1976Reward Systems in Art, Science, and Religion92 cited
  • 2008Boys' love manga : essays on the sexual ambiguity and cross-cultural fandom of the genre88 cited
  • 2020A queer “socialist brotherhood”: the Guardian web series, boys’ love fandom, and the Chinese state85 cited
  • 2016Loving Boys Twice as Much: Chinese Women’s Paradoxical Fandom of “Boys’ Love” Fiction77 cited
  • 2015An Introduction to “Boys Love” in Japan60 cited
  • 2010China on Video: Smaller-Screen Realities55 cited
  • 2000No Climax, No Point, No Meaning? Japanese Women's Boy-Love Sites on the Internet54 cited
  • 2011Fujoshi: Fantasy Play and Transgressive Intimacy among “Rotten Girls” in Contemporary Japan52 cited

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2020
It has never been “normal”: queer pop in post-2000 China
49 cited

Cited by

  • 2023“We are snowflakes”: Minor transnationalism and the cultural resilience of slash fanfiction community in China6 cited