Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture.

Bruce McConachie · William J. Mahar

34 citations0/0 files storedJournal of American History

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Theater, Performance, and Music History Race, History, and American Society Arts and Performance Studies

Abstract

Bruce McConachie; Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. By William J. Mahar. (Urbana: University of Il

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 34 citations exist upstream.

Cited by

2017Rhetoric, Race, and Resentment: Whiteness and the New Days of Rage 2012Orchestration and Arrangement: Creating the Broadway Sound 2012Gender and Sexuality

Imported from OpenAlex (CC0) — nothing here is generated.