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1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period?
16 references·0 citing·31 second hop
1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? (2022)1 Introduction: “On the margins of the ma…The Coming of Photography in India (2008)The Coming of Photography in …Russian colonial society in Tashkent, 1865-1923 (2008)Russian colonial society in T…Empire of Difference: The Ottomans in Comparative Perspective (2008)Empire of Difference: The Ott…Visual Culture: The Study of the Visual after the Cultural Turn (2006)Visual Culture: The Study of …Photographs Objects Histories: On the Materiality of Images (2006)Photographs Objects Histories…Picturing place: photography and the geographical imagination (2004)Picturing place: photography …Visual Studies: A Skeptical Introduction (2003)Visual Studies: A Skeptical I…Images and EmpiresVisuality in Colonial and Postcolonial Africa (2002)Images and EmpiresVisuality i…Colonialist Photography Imaging Race and Place (2002)Colonialist Photography Imagi…Travelling Light: Photography, Travel and Visual Culture (2000)Travelling Light: Photography…Visions of modernity: representation, memory, time and space in the age of the camera (1998)Visions of modernity: represe…Picturing empire: photography and the visualization of the British Empire (1998)Picturing empire: photography…Camera Indica: The Social Life of Indian Photographs (1998)Camera Indica: The Social Lif…Picture Theory: Essays on Verbal and Visual Representation (1995)Picture Theory: Essays on Ver…Anthropology and photography 1860-1920 (1993)Anthropology and photography …Photography: a middle-brow art (1991)Photography: a middle-brow artThe Social Life of Things (1986)Camera Lucida: Reflections on Photography (2001)Locating processes of identification: studying the precipitates of re‐memory through artefacts in the British Asian home (2004)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)Objects of Affect: Photography Beyond the Image (2012)Re-Imagining Rwanda by Johan Pottier (2002)Antecedents to modern Rwanda: the Nyiginya Kingdom (2005)PHOTOGRAPHS AND THE SOUND OF HISTORY (2005)Introduction: Anthropology, Photography and the Archive (2010)The Crying Child (2020)Editorial: Mobilities, Immobilities and Moorings (2006)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The Visual Dimension in Organizing, Organization, and Organization Research: Core Ideas, Current Developments, and Promising Avenues (2013)Cultural geography: the busyness of being `more-than-representational' (2005)Families Seen Sightseeing (2005)Geopolitics and visuality: Sighting the Darfur conflict (2007)IMag[in]ing annual reports (1996)“A Pencil for your Thoughts”: Participatory Drawing as a Visual Research Method with Children and Youth (2013)Visual essentialism and the object of visual culture (2003)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)Family photographs and domestic spacings: a case study (2003)On the Need to Ask How, Exactly, Is Geography “Visual”? (2003)The Climate of Rebellion in the Early Modern Ottoman Empire (2011)States, Insurgents, and Wartime Political Orders (2012)Islam and Democracy in Indonesia (2015)Europe, technology, and colonialism in the 20th century (2005)AN ACOUSTIC REGISTER, TENACIOUS IMAGES, AND CONGOLESE SCENES OF RAPE AND REPETITION (2008)The Modern Girl Around the World (2008)Visual Studies and the Iconic Turn (2008)The place of the literature review in grounded theory research (2010)Researching Visual Environmental Communication (2013)
this work references cited by second hop

References

  • 1995Picture Theory: Essays on Verbal and Visual Representation1,429 cited
  • 1991Photography: a middle-brow art1,059 cited
  • 2008Empire of Difference: The Ottomans in Comparative Perspective527 cited
  • 1993Anthropology and photography 1860-1920509 cited
  • 1998Picturing empire: photography and the visualization of the British Empire406 cited
  • 1998Camera Indica: The Social Life of Indian Photographs368 cited
  • 2003Visual Studies: A Skeptical Introduction346 cited
  • 2002Images and EmpiresVisuality in Colonial and Postcolonial Africa301 cited
  • 2004Picturing place: photography and the geographical imagination245 cited
  • 2006Photographs Objects Histories: On the Materiality of Images221 cited
  • 2008The Coming of Photography in India195 cited
  • 2006Visual Culture: The Study of the Visual after the Cultural Turn186 cited
  • 2000Travelling Light: Photography, Travel and Visual Culture160 cited
  • 1998Visions of modernity: representation, memory, time and space in the age of the camera159 cited
  • 2002Colonialist Photography Imaging Race and Place155 cited
  • 2008Russian colonial society in Tashkent, 1865-1923

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