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Lives Musicais em Performance
6 references·0 citing·24 second hop
Lives Musicais em Performance (2022)Lives Musicais em PerformanceDigital Liveness: A Historico-Philosophical Perspective (2012)Digital Liveness: A Historico…The economy of live music in the digital age (2010)The economy of live music in …#u2youtube e a performance mediada por computador (2010)#u2youtube e a performance me…Live and technologically mediated performance (2008)Live and technologically medi…Performance Studies: An Introduction (2003)Performance Studies: An Intro…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Truth and Method (1960)Noise, the Political Economy of Music (1989)Liveness: performance in a mediatized culture (2008)The Audience Is Present: Aliveness, Social Media, and the Theatre Broadcast Experience (2018)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)From Ritual to Theatre: The Human Seriousness of Play (1983)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Work of Art in the Age of Mechanical Reproduction (2007)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? (2020)Circuitos versus campos sociais (2012)Matrizes interacionais: a comunicação constrói a sociedade (2017)Como os algoritmos do YouTube calculam valor? (2018)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)Intensities of feeling: towards a spatial politics of affect (2004)The Race of Sound (2018)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Lucille Meets GuitarBot: Instrumentality, Agency, and Technology in Musical Performance (2016)The making of a ‘superstar’: the politics of playback and live performance in post-genocide Rwanda (2017)Serial Forms (2020)
this work references cited by second hop

References

  • 2003Performance Studies: An Introduction2,271 cited
  • 1997Performing rites: on the value of popular music1,318 cited
  • 2010The economy of live music in the digital age167 cited
  • 2012Digital Liveness: A Historico-Philosophical Perspective167 cited
  • 2008Live and technologically mediated performance62 cited
  • 2010#u2youtube e a performance mediada por computador18 cited

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