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Extinction Voices, Extinction Silences: Reflecting on a Decolonial Role for Natural History Exhibits in Promoting Thinking about Global Ecological Crisis, Using a Case Study from Bristol Museums

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References

2013Decolonizing methodologies: research and indigenous peoples2,322 cited
2018Indigenous science (fiction) for the Anthropocene: Ancestral dystopias and fantasies of climate change crises781 cited
2020Worlding beyond ‘the’ ‘end’ of ‘the world’: white apocalyptic visions and BIPOC futurisms188 cited
2018Nature Read in Black and White: decolonial approaches to interpreting natural history collections97 cited
2012The Afterlives of animals: a museum menagerie46 cited
2008The matter and meaning of museum taxidermy40 cited
2020‘As dead as a dodo’: Extinction narratives and multispecies justice in the museum30 cited
2026Legacies of colonial violence in natural history collections22 cited
2020Why look at taxidermy animals? Exhibiting, curating and mourning the Sixth Mass Extinction Event20 cited
2017The future of natural history museums14 cited
2016Towards an ecological museology: responding to the animal-objects of the Australian Institute of Anatomy collection10 cited

Cited by

2024Museum-audience interaction within permanent exhibitions of natural history museums: a systematic literature review2 cited
2024Translating environmental memory in a natural history museum1 cited

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