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Global Metal Music and Culture
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Global Metal Music and Culture (2016)Global Metal Music and CultureToward a Systematic Understanding of “Heaviness” in Metal Music Production (2022)Toward a Systematic Understan…Extreme heavy metal and blasphemy in Iran: the case of Confess (2022)Extreme heavy metal and blasp…The value of the underground: punk, politics, and creative urbanism in Bandung, Indonesia (2020)The value of the underground:…Les mondes du metal d’après l’Encylopedia Metallum (2019)Les mondes du metal d’après l…‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects? (2019)‘Feel the Knife Pierce You In…“EVERYTHING LOUDER THAN EVERYTHING ELSE” (2007)Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010 (2011)The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England (2012)The Autonomy of Affect (1995)Non-Representational Theory (2008)The Affect Theory Reader (2010)Engaging with absence: Why is the Holocaust a ‘problem’ for metal? (2020)Resistance Through Rituals: Youth Subcultures in Post-War Britain (1976)The Rise of the Creative Class (2002)Struggling with the Creative Class (2005)Friction in the Creative City (2021)Counter-mapping Surabaya: Designing ‘cities within the city’ (2023)Outsiders; studies in the sociology of deviance (1963)The Division of Labour in Society (1984)Analysis in qualitative research (2010)Putting transgression into context within the complex Saudi heavy metal scene (2024)Popular Music and Society (1996)Heavy Metal Carnival and Dis‐alienation: The Politics of Grotesque Realism (2006)Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics (2013)Lorna Shore’s ‘To the Hellfire’: A study in heaviness (2023)From analogue to algorithm: How private production reshaped metal aesthetics (2024)The Heaviest Metal (2024)
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  • 2022Toward a Systematic Understanding of “Heaviness” in Metal Music Production35 cited
  • 2020The value of the underground: punk, politics, and creative urbanism in Bandung, Indonesia14 cited
  • 2019‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects?7 cited
  • 2022Extreme heavy metal and blasphemy in Iran: the case of Confess6 cited
  • 2019Les mondes du metal d’après l’Encylopedia Metallum3 cited

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