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9. “No One Thinks in Hindi Here”: Language Hierarchies in Bollywood
8 references·0 citing·23 second hop
9. “No One Thinks in Hindi Here”: Language Hierarchies in Bollywood (2019)9. “No One Thinks in Hindi Here”: Languag…Urdu, Awadh and the Tawaif: the Islamicate roots of Hindi cinema (2019)Urdu, Awadh and the Tawaif: t…When Talk Isn’t Cheap: Language and Political Economy (2018)When Talk Isn’t Cheap: Langua…The paradoxical invisibility of translation in the highly multilingual context of news agencies (2014)The paradoxical invisibility …Producing Bollywood: Inside the Contemporary Hindi Film Industry (2013)Producing Bollywood: Inside t…Sentiments of Disdain and Practices of Distinction: Boundary-Work, Subjectivity, and Value in the Hindi Film Industry (2012)Sentiments of Disdain and Pra…Hindi, Hinglish: Head to Head (2012)Hindi, Hinglish: Head to HeadSo Many Cinemas : The Motion Picture in India (1996)So Many Cinemas : The Motion …National Identity in Indian Popular Cinema, 1947-1987 (1993)National Identity in Indian P…Keywords: A Vocabulary of Culture and Society (1977)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Value of Ethnography (2014)Kahaani,Gulaab GangandQueen: Remaking the queens of Bollywood (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Precarious Creativity (2019)Marxism and the philosophy of language (1973)The Translator's Invisibility: A History of Translation (1994)Descriptive Translation Studies – and beyond (1995)Rapid and Radical Changes in Translation and Translation Studies (2016)On the use of the term ‘translation’ in journalism studies (2017)Translation without a source text: methodological issues in news translation (2018)The diaspora comes home: Disciplining desire in DDLJ (1998)The 'Bollywoodization' of the Indian cinema: cultural nationalism in a global arena (2003)The Globalization of Bollywood: An Ethnography of Non-Elite Audiences in India (2007)Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation (2017)White Skin/Brown Masks: The Case of ‘White’ Actresses From Silent to Early Sound Period in Bombay (2019)PIERRE BOURDIEU AND THE PRACTICES OF LANGUAGE (2005)Vers de nouvelles approches théoriques du langage et du plurilinguisme (2011)Historische Mehrsprachigkeit (2023)Jhirī: A ‘Sanskrit-speaking’ Village in Madhya Pradesh (2017)Popular Songs and Comic Allusion in Contemporary Cinema (2001)The Modern Girl Around the World (2008)
this work references cited by second hop

References

  • 1993National Identity in Indian Popular Cinema, 1947-1987297 cited
  • 2014The paradoxical invisibility of translation in the highly multilingual context of news agencies97 cited
  • 2018When Talk Isn’t Cheap: Language and Political Economy80 cited
  • 2013Producing Bollywood: Inside the Contemporary Hindi Film Industry66 cited
  • 1996So Many Cinemas : The Motion Picture in India57 cited
  • 2012Sentiments of Disdain and Practices of Distinction: Boundary-Work, Subjectivity, and Value in the Hindi Film Industry41 cited
  • 2019Urdu, Awadh and the Tawaif: the Islamicate roots of Hindi cinema24 cited
  • 2012Hindi, Hinglish: Head to Head7 cited

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