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The authenticity of music culture of Kampung Naga and Cikondang Indigenous people, West Java, Indonesia
16 references·3 citing·40 second hop
The authenticity of music culture of Kampung Naga and Cikondang Indigenous people, West Java, Indonesia (2022)The authenticity of music culture of Kamp…Hip-Hop authenticity and music education: Confronting the concept of keeping it real (2018)Hip-Hop authenticity and musi…Sounds and the City (2014)Sounds and the CityMusic and the Aura of Revolution (2012)Music and the Aura of Revolut…Voicing the Popular: On the Subjects of Popular Music (2006)Voicing the Popular: On the S…Tradition, authenticity and context: the case for a dynamic approach (2006)Tradition, authenticity and c…Performing identities: music and dance in the Irishcommunities of Coventry and Liverpool (2005)Performing identities: music …The SAGE Dictionary of Cultural Studies (2004)The SAGE Dictionary of Cultur…Popular Music Culture: The Key Concepts (2002)Popular Music Culture: The Ke…Authenticity as authentication (2002)Authenticity as authenticationWhat is Authenticity? (2001)What is Authenticity?Authenticity: who needs it? (2000)Authenticity: who needs it?Global Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…Kebudayaan Sunda Suatu Pendekatan Sejarah (1995)Kebudayaan Sunda Suatu Pendek…The Politics of Recognition (1994)The Politics of RecognitionGlobalization: social theory and global culture (1993)Globalization: social theory …World Musics in Music Education: The Matter of Authenticity (1992)World Musics in Music Educati…Unveiling the melodic traditions of Mahzani: an ethnomusicological investigation of Tombulu music in Indonesia's Minahasa region (2023)Unveiling the melodic traditi…Local Wisdom, Environmental Management and Sustainable Traditions in Naga Village, Tasikmalaya Regency (2023)Local Wisdom, Environmental M…Exploring the inheritance and historical evolution of cultural values from the perspective of folk songs and chorus (2023)Exploring the inheritance and…On Becoming a Person (1961)Philosophy in the classroom (1977)The Western Impact on World Music. Change, Adaptation, and Survival (1989)Engaging, Exploring, and Experiencing Multicultural Music in Australian Music Teacher Education: The Changing Landscape of Multicultural Music Education (2010)Finding balance in a mix of culture: Appreciation of diversity through multicultural music education (2012)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Femvertising or femwashing? Women's perceptions of authenticity (2022)Introduction to functional grammar . By M. A. K. Halliday London & Baltimore: Edward Arnold, 1985. Pp. xxxv, 387. (1989)An introduction to functional grammar . 2nd edn. By M. A. K. Halliday London, Melbourne, & Auckland: Edward Arnold, 1994. Pp. XXXV, 434. (1995)Reading images: the grammar of visual design (1996)Authenticity in Culture, Self, and Society (2016)Being True to Oneself: Investigating Celebrity Brand Authenticity (2016)Trust me, I'm an influencer! - Causal recipes for customer trust in artificial intelligence influencers in the retail industry (2022)Inquiries into Truth and Interpretation (2001)Worldmaking Agency–Worldmaking Authority: The Sovereign Constitutive Role of Tourism (2009)Co-production versus co-creation: A process based continuum in the hotel service context (2012)Qualitative tourism research: Opportunities in the emergent soft sciences (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Rabelais and his world (2020)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Voice, place and genre in popular song performance1 (2011)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)A Sweet Lullaby for World Music (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)There is (almost) no alternative: the slow ‘heat death’ of music subcultures and the instrumentalization of contemporary leisure (2014)LOCATING HIP HOP ORIGINS: POPULAR MUSIC AND TRADITION IN SENEGAL (2016)A/r/tography: At the Intersection of Art, Leisure, and Science (2019)Paradoxes of the Competition State: The Dynamics of Political Globalization (1997)Fences and neighbours in the postmodern world: boundary narratives in political geography (1998)The Cosmopolitan Society and Its Enemies (2002)Deliberative Policy Analysis (2003)The Making of Class and Gender through Visualizing Moral Subject Formation (2005)Citizenship and Immigration: Multiculturalism, Assimilation, and Challenges to the Nation-State (2008)Policies and Practices for Promoting Multicultural Awareness of Indigenous Early Childhood Education in Indonesia (2012)SUNDA WIWITAN BADUY: Agama Penjaga Alam Lindung di Desa Kanekes Banten (2012)Islam, Tradisi Lokal, dan Konservasi Alam: Studi Kasus di Kampung Dukuh Kabupaten Garut (2017)
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References

  • 1994The Politics of Recognition2,041 cited
  • 1993Globalization: social theory and global culture1,644 cited
  • 2002Authenticity as authentication485 cited
  • 2004The SAGE Dictionary of Cultural Studies438 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 2001What is Authenticity?198 cited
  • 2006Voicing the Popular: On the Subjects of Popular Music179 cited
  • 1995Kebudayaan Sunda Suatu Pendekatan Sejarah100 cited
  • 2014Sounds and the City94 cited
  • 1992World Musics in Music Education: The Matter of Authenticity44 cited
  • 2005Performing identities: music and dance in the Irishcommunities of Coventry and Liverpool39 cited
  • 2006Tradition, authenticity and context: the case for a dynamic approach33 cited
  • 2000Authenticity: who needs it?26 cited
  • 2002Popular Music Culture: The Key Concepts24 cited
  • 2018Hip-Hop authenticity and music education: Confronting the concept of keeping it real18 cited
  • 2012Music and the Aura of Revolution18 cited

Cited by

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  • 2023Local Wisdom, Environmental Management and Sustainable Traditions in Naga Village, Tasikmalaya Regency7 cited
  • 2023Exploring the inheritance and historical evolution of cultural values from the perspective of folk songs and chorus3 cited
  • 2023Unveiling the melodic traditions of Mahzani: an ethnomusicological investigation of Tombulu music in Indonesia's Minahasa region3 cited