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From Oblivion to Reappearance: A Multi-Faceted Evaluation of the Sustainability of Folk Music in Yunnan Province of China
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From Oblivion to Reappearance: A Multi-Faceted Evaluation of the Sustainability of Folk Music in Yunnan Province of China (2022)From Oblivion to Reappearance: A Multi-Fa…Sustainability of indigenous folk tales, music and cultural heritage through innovation (2018)Sustainability of indigenous …Music Sustainability (2016)Music SustainabilityThe Oxford Handbook of Applied Ethnomusicology (2015)The Oxford Handbook of Applie…Facing the music: shaping music education from a global perspective (2011)Facing the music: shaping mus…Three Approaches to Qualitative Content Analysis (2005)Three Approaches to Qualitati…Rethinking validity and reliability in content analysis (1999)Rethinking validity and relia…Ethnomusicological Insights into the Sociocultural Dynamics of Folk Songs in Southern Shaanxi, China (2025)Ethnomusicological Insights i…Cultural Heritage in Transition: The Role of Baxian Folk Music in the Posthumanist Era (2025)Cultural Heritage in Transiti…Preservation and Transmission Guidelines of Salar Vocal Folk Music (2024)Preservation and Transmission…Original ecology folksongs, myth, and showbiz: a case study of musical sustainability among the Bulang ethnic group in Yunnan, China (2024)Original ecology folksongs, m…DONGJING ÇİN HALK MÜZİĞİNİN KORUNMASI VE AKTARILMASI İÇİN TARİHSEL GELİŞİM VE MÜZİKSEL ÖZELLİKLER (2024)DONGJING ÇİN HALK MÜZİĞİNİN K…An Investigation of Yi Folk Song Knowledge and Development in Guizhou, China (2023)An Investigation of Yi Folk S…Qualitative research and evaluation methods (1980)Naturalistic inquiry (1985)Qualitative Data Analysis: An Expanded Sourcebook (1994)The qualitative content analysis process (2008)Scoping studies: advancing the methodology (2010)Using the framework method for the analysis of qualitative data in multi-disciplinary health research (2013)A Coefficient of Agreement for Nominal Scales (1960)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Content Analysis: An Introduction to its Methodology. (1984)Assessing Social Presence In Asynchronous Text-based Computer Conferencing (1999)Reducing Confusion about Grounded Theory and Qualitative Content Analysis: Similarities and Differences (2014)How Many Ways Can We Define Online Learning? A Systematic Literature Review of Definitions of Online Learning (1988-2018) (2019)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)Practice-led Research, Research-led Practice in the Creative Arts (2009)Convention for the Safeguarding of Intangible Cultural Heritage (2003) (2018)Creative heritage: An approach for research and practice integrating heritage and the performing arts (2021)Cultural Value and Strategy of Ethnic Music Based on Distribution Estimation Algorithm (2022)Towards cultural sustainability: The potency of 'The Thousand and One Nights' in reviving the imageability of Baghdad city (2022)Safeguarding intangible cultural heritage: key factors in implementing the 2003 convention. (2007)Pedagogical challenges in folk music teaching in higher education: a case study of Hua’er music in China (2016)The Cultural Treasures of Baima Tibetan Folk Songs in Gansu Province, China, as a Resource for Literacy Education in Chinese Music History (2023)Orality and Literacy (1982)Authenticity and commoditization in tourism (1988)Disjuncture and Difference in the Global Cultural Economy (1990)Literacy Transmission of Chinese Folk Songs in Southern Shaanxi (2024)Modernization, Cultural Change, and the Persistence of Traditional Values (2000)Musical Communities: Rethinking the Collective in Music (2011)Qualitative Research Methodology in Music Education (2017)World Music (2002)Cultural Heritage Politics in China (2013)Heritage Politics in China (2020)The role of music in ethnic identity formation in diaspora: a research review (2016)The Oxford Handbook of Community Music (2018)The Global Jukebox: A public database of performing arts and culture (2022)Cosmopolitan musicianship under construction: Digital musicians illuminating emerging values in music education (2012)Equity and Music Education: Euphemisms, Terminal Naivety, and Whiteness (2017)Musicians as “Makers in Society”: A Conceptual Foundation for Contemporary Professional Higher Music Education (2021)Cultural Sustainability: A Framework for Relationships, Understanding, and Action (2019)Heritagization of Tamu music—from lived culture to heritage to be safe-guarded (2019)Musical instruments as tangible cultural heritage and as/for intangible cultural heritage (2022)
this work references cited by second hop

References

  • 2005Three Approaches to Qualitative Content Analysis44,511 cited
  • 1999Rethinking validity and reliability in content analysis1,662 cited
  • 2015The Oxford Handbook of Applied Ethnomusicology194 cited
  • 2011Facing the music: shaping music education from a global perspective171 cited
  • 2018Sustainability of indigenous folk tales, music and cultural heritage through innovation32 cited
  • 2016Music Sustainability11 cited

Cited by

  • 2024Preservation and Transmission Guidelines of Salar Vocal Folk Music7 cited
  • 2025Ethnomusicological Insights into the Sociocultural Dynamics of Folk Songs in Southern Shaanxi, China7 cited
  • 2024Original ecology folksongs, myth, and showbiz: a case study of musical sustainability among the Bulang ethnic group in Yunnan, China5 cited
  • 2024DONGJING ÇİN HALK MÜZİĞİNİN KORUNMASI VE AKTARILMASI İÇİN TARİHSEL GELİŞİM VE MÜZİKSEL ÖZELLİKLER3 cited
  • 2025Cultural Heritage in Transition: The Role of Baxian Folk Music in the Posthumanist Era3 cited
  • 2023An Investigation of Yi Folk Song Knowledge and Development in Guizhou, China2 cited

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