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Xin Fengxia and the Transformation of China's Ping Opera
11 references·7 citing·27 second hop
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this work references cited by second hop

References

  • 2011Reading autobiography: a guide for interpreting life narratives1,219 cited
  • 1999Women, Autobiography, Theory: A Reader348 cited
  • 1997Dangerous Pleasures294 cited
  • 1993The first English actresses: women and drama, 1660-1700110 cited
  • 2013Performing Hybridity in Colonial-Modern China52 cited
  • 1991Listening to Theatre34 cited
  • 1992Actresses as Working Women: Their Social Identity in Victorian Culture32 cited
  • 2016Routledge Handbook of Asian Theatre30 cited
  • 2020Transforming Tradition20 cited
  • 2007The Cambridge companion to the actress17 cited
  • 2016Qupai in Chinese Music15 cited

Cited by

  • 2025#WakingTheFeminists and the Data-Driven Revolution in Irish Theatre27 cited
  • 2023Emma Rice's Feminist Acts of Love13 cited
  • 2024Clean Break Theatre Company12 cited
  • 2025Ellen Terry, Shakespeare, and Suffrage in Australia and New Zealand7 cited
  • 2025The Theatre of Louise Lowe6 cited
  • 2025

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Performing Female Intimacy in Japan's Takarazuka Revue
6 cited
  • 2025Feminist Imagining in Polish and Ukrainian Theatres6 cited