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Artists’ production sensibilities within the dynamics of an emerging art market
16 references·0 citing·55 second hop
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References

  • 2012Seeking Qualitative Rigor in Inductive Research13,176 cited
  • 199813 "DOES CULTURAL CAPITAL STRUCTURE AMERICAN CONSUMPTION?" (1998)1,323 cited
  • 1987Classification in Art1,214 cited
  • 2014Sharing Versus Pseudo-Sharing in Web 2.0622 cited
  • 1983Aesthetics, Ideologies and the Limits of the Marketing Concept377 cited
  • 2015Selling, Sharing, and Everything In Between: The Hybrid Economies of Collaborative Networks345 cited
  • 2015Navigating the Institutional Logics of Markets: Implications for Strategic Brand Management235 cited
  • 1999Sandpiles of Opportunity: Success in the Art World209 cited
  • 2003Symbolic meanings of prices: Constructing the value of contemporary art in Amsterdam and New York galleries191 cited
  • 2006Aesthetic Products and Aesthetic Consumption: A Review175 cited
  • 2015Understanding and resolving major contractual breaches in buyer–seller relationships: a grounded theory approach88 cited
  • 2019Making Space for Art: A Spatial Perspective of Disruptive and Defensive Institutional Work in Venezuela’s Art World60 cited
  • 2009From the Armory to academia: Careers and reputations of early modern artists in the United States54 cited
  • 2009New perspectives on the role of cultural intermediaries in social inclusion in the UK52 cited

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  • 2019Creative visions: Presenting aesthetic trajectories in artistic careers52 cited
  • 2003Disentangling the paradoxical alliances between art market and art world52 cited
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