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The effect of prior exposure on the lightfastness of early synthetic dyes on textiles
10 references·0 citing·34 second hop
The effect of prior exposure on the lightfastness of early synthetic dyes on textiles (2022)The effect of prior exposure on the light…The lightfastness of early synthetic organic dyes (2022)The lightfastness of early sy…Statistics of the early synthetic dye industry (2021)Statistics of the early synth…The development of a significance-based lighting framework at the National Museum of Australia (2011)The development of a signific…Significance 2.0: a guide to assessing the significance of collections (2009)Significance 2.0: a guide to …Los Angeles: The Getty Conservation Institute (2003)Los Angeles: The Getty Conser…Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Predicting The Fading of Obje…Wavelength-dependent fading of artists' pigments (1994)Wavelength-dependent fading o…The Fading Rates of Some Natural Dyes (1987)The Fading Rates of Some Natu…Annual Exposure to Light within Museums (1967)Annual Exposure to Light with…The Light-Fastness of the Natural Dyes (1966)The Light-Fastness of the Nat…National Gallery Technical Bulletin (1979)Damage to museum objects by visible radiation (light) and ultraviolet radiation (uv) (1987)Lighting works of art for exhibition and conservation (1988)Micro-fading tests to predict the result of exhibition: progress and prospects (2000)Micro-fading spectrometry: investigating the wavelength specificity of fading (2014)Spectral Optimization to Minimize Light Absorbed by Artwork (2018)The museum environment (1978)Accelerated Aging, Photochemical and Thermal Aspects (1996)Risk Assessment for Object Conservation (2000)Non-destructive microfade testing at the National Museum of Australia (2011)Light-ageing characteristics of Māori textiles: Colour, strength and molecular change (2016)Identification of effective criteria to improve lighting quality in existing art museums (2020)The Smithsonian Institution, Washington, D.C. (1965)Changes in the production materials of Burmese textiles in the nineteenth century—dyes, mordants and fibres of Karen garments from the British Museum’s collection (2023)Key Factors Influencing Chinese Consumers’ Demand for Naturally Dyed Garments: Data Analysis through KJ Method and KANO Model (2024)Synthetic organic dyes, 1856–1901: an introductory literature review of their use and related issues in textile conservation (2007)On the reliability of historic books as sources of reference samples of early synthetic dyes – The case of “The Coal Tar Colours of the Farbwerke vorm. Meister, Lucius & Brüning, Höchst on the Main, Germany – A General Part” (1896) (2023)Photoegradation of indigo in dichloromethane solution (2003)Study of the stability of a series of synthetic colorants applied with styrene-acrylic copolymer, widely used in contemporary paintings, concerning the effects of accelerated ageing (2010)An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)THE CONSERVATION OF MUSEUM OBJECTS IN THE TROPICS (1967)Photochemical Origin of the Darkening of Copper Acetate and Resinate Pigments in Historical Paintings (2019)A comprehensive overview of lighting guidelines for museums (2026)Nervous Landscapes (2003)Writing and the origins of Greek literature (2003)Experiencing Authenticity at Heritage Sites: Some Implications for Heritage Management and Conservation (2009)A holistic multimodal approach to the non-invasive analysis of watercolour paintings (2015)“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures (2017)Protecting contemporary cultural soundscapes as intangible cultural heritage: sounds of Istanbul (2016)De-growing museum collections for new heritage futures (2018)Situating (in)significance (2020)A spectrometric and chromatographic approach to the study of ageing of madder (Rubia tinctorum L.) dyestuff on wool (2007)Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) (2018)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)
this work references cited by second hop

References

  • 2003Los Angeles: The Getty Conservation Institute181 cited
  • 1966The Light-Fastness of the Natural Dyes135 cited
  • 1999Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements96 cited
  • 2021Statistics of the early synthetic dye industry85 cited
  • 1987The Fading Rates of Some Natural Dyes80 cited
  • 2009Significance 2.0: a guide to assessing the significance of collections73 cited
  • 1994Wavelength-dependent fading of artists' pigments51 cited
  • 2022The lightfastness of early synthetic organic dyes27 cited
  • 2011The development of a significance-based lighting framework at the National Museum of Australia19 cited
  • 1967Annual Exposure to Light within Museums8 cited

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