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Portrait of an artist at work: exploring Max Ernst’s surrealist techniques
16 references·0 citing·37 second hop
Portrait of an artist at work: exploring Max Ernst’s surrealist techniques (2022)Portrait of an artist at work: exploring …Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii (2018)Multi-analytical and non-inva…Handheld new technology Raman and portable FT-IR spectrometers as complementary tools for the in situ identification of organic materials in modern art (2017)Handheld new technology Raman…Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments (2016)Analysis of artist’s palette …Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks (2015)Interpretation of mid and nea…Raman study of different crystalline forms of PbCrO4 and PbCr1−xSxO4 solid solutions for the noninvasive identification of chrome yellows in paintings: a focus 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ERNST: A RETROSPECTIVE (2005)MAX ERNST: A RETROSPECTIVEColour and art: A brief history of pigments (2005)Colour and art: A brief histo…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Artists' Pigments: A Handbook of Their History and Characteristics, Vol. 3 (1999)Artists' Pigments: A Handbook…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Analysis of modern paints (2004)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)Mid and Near-Infrared Reflection Spectral Database of Natural Organic Materials in the Cultural Heritage Field (2018)External reflectance FTIR dataset (4000–400 cm−1) for the identification of relevant mineralogical phases 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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,052 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)1,000 cited
  • 2008Pigment Compendium330 cited
  • 2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments282 cited
  • 2005Colour and art: A brief history of pigments213 cited
  • 2012Micro‐Raman spectroscopy of carbon‐based black pigments188 cited
  • 1999Artists' Pigments: A Handbook of Their History and Characteristics, Vol. 3146 cited
  • 2013Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy107 cited
  • 2012Metal Stearate Distributions in Modern Artists' Oil Paints: Surface and Cross-Sectional Investigation of Reference Paint Films Using Conventional and Synchrotron Infrared Microspectroscopy92 cited
  • 2015Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks85 cited
  • 2014Raman study of different crystalline forms of PbCrO4 and PbCr1−xSxO4 solid solutions for the noninvasive identification of chrome yellows in paintings: a focus on works by Vincent van Gogh78 cited
  • 2012Contribution to the identification of α‐, β‐ and ε‐copper phthalocyanine blue pigments in modern artists' paints by X‐ray powder diffraction, attenuated total reflectance micro‐fourier transform infrared spectroscopy and micro‐Raman spectroscopy

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68 cited
  • 2018Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii62 cited
  • 2016Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments61 cited
  • 2017Handheld new technology Raman and portable FT-IR spectrometers as complementary tools for the in situ identification of organic materials in modern art60 cited
  • 2005MAX ERNST: A RETROSPECTIVE45 cited
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