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Rethinking Who ‘Keeps’ Heritage: 3D Technology, Repatriation and Copyright
6 references·0 citing·17 second hop
Rethinking Who ‘Keeps’ Heritage: 3D Technology, Repatriation and Copyright (2022)Rethinking Who ‘Keeps’ Heritage: 3D Techn…Digital Heritage Surrogates, Decolonization, and International Law: Restitution, Control, and the Creation of Value as Reparations and Emancipation (2020)Digital Heritage Surrogates, …Response to the 2018 Sarr-Savoy Report: Statement on Intellectual Property Rights and Open Access Relevant to the Digitization and Restitution of African Cultural Heritage and Associated Materials (2019)Response to the 2018 Sarr-Sav…3D Printing and Intellectual Property (2019)3D Printing and Intellectual …The Digitisation of Cultural Heritage: Originality, Derivative Works and (Non) Original Photographs (2015)The Digitisation of Cultural …The Photographer's Copyright - Photograph as Art, Photograph as Database (2011)The Photographer's Copyright …The Intellectual Property Implications of Low-Cost 3D Printing (2010)The Intellectual Property Imp…Intellectual property: Patents, copyright, trade marks and allied rights (1991)A Property Right in Self-Expression: Equality and Individualism in the Natural Law of Intellectual Property (1993)International Copyright: Principles, Law, and Practice (2001)The Protection of Sports Events in the EU: Property, Intellectual Property, Unfair Competition and Special Forms of Protection (2016)3D Data in Human Remains Disciplines: The Ethical Challenges (2019)The Virtual Database of the Documented Human Osteological Collection ( DHOC ) of the Certosa Cemetery of Bologna (Italy, 19th–20th Century) (2025)Imperialism, Sovereignty and the Making of International Law (2006)International law, museums, and the return of cultural objects (2007)International Journal of Heritage Studies (2018)Configuring factors for effective dissemination of intangible cultural heritage on Douyin: an fsQCA approach (2025)Bridging Tradition and Innovation: Using Artistic Genes to Assess Cultural Authenticity in Digital Shadow Play (2026)Global value chains from a 3D printing perspective (2016)The Future of Law and eTechnologies (2016)Economies of Design (2017)Drafting Copyright Exceptions (2020)Skulls, skin and names: The ethics of managing heritage collections data online (2023)Access to Waxes – The Collections from the Arab World of the Berlin Phonogramm-Archiv: Between Digitization, "Repatriation," and Online Publication (2024)
this work references cited by second hop

References

  • 2010The Intellectual Property Implications of Low-Cost 3D Printing142 cited
  • 2015The Digitisation of Cultural Heritage: Originality, Derivative Works and (Non) Original Photographs35 cited
  • 2011The Photographer's Copyright - Photograph as Art, Photograph as Database23 cited
  • 20193D Printing and Intellectual Property23 cited
  • 2019Response to the 2018 Sarr-Savoy Report: Statement on Intellectual Property Rights and Open Access Relevant to the Digitization and Restitution of African Cultural Heritage and Associated Materials19 cited
  • 2020Digital Heritage Surrogates, Decolonization, and International Law: Restitution, Control, and the Creation of Value as Reparations and Emancipation15 cited

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