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K-Drama 2.0: updating tropes with intertextuality and cinematic visuals in Crash Landing on You
12 references·0 citing·36 second hop
K-Drama 2.0: updating tropes with intertextuality and cinematic visuals in Crash Landing on You (2022)K-Drama 2.0: updating tropes with interte…The Rise of K-Dramas: Essays on Korean Television and Its Global Consumption (2019)The Rise of K-Dramas: Essays …Pop City: Korean Popular Culture and the Selling of Place (2019)Pop City: Korean Popular Cult…The Melodrama of Mobility (2017)The Melodrama of MobilityGlobal Imagination of K-Pop: Pop Music Fans’ Lived Experiences of Cultural Hybridity (2017)Global Imagination of K-Pop: …Eclipsed Cinema: The Film Culture of Colonial Korea (2017)Eclipsed Cinema: The Film Cul…The Korean Popular Culture Reader (2014)The Korean Popular Culture Re…The cultural industry policies of the Korean government and the Korean Wave (2013)The cultural industry policie…Korea vs. K-Dramaland: The Culturalization of K-Dramas by International Fans (2013)Korea vs. K-Dramaland: The Cu…The Vampire Film: Undead Cinema (2012)The Vampire Film: Undead Cine…The South Korean film renaissance: local hitmakers, global provocateurs (2010)The South Korean film renaiss…Film/Genre (1999)Film/GenreWomen watching television: gender, class, and generation in the American television experience (1991)Women watching television: ge…Asia's Next Giant: South Korea and Late Industrialization (1990)Hybridity and the rise of Korean popular culture in Asia (2005)The effects of protection in cultural industries: the case of the Korean film policies (2016)The Cultural Industries (2019)Cultural industries in international business research: Progress and prospect (2020)The Digital Transformation of the Korean Music Industry and the Global Emergence of K-Pop (2020)Social Theory and Social Structure (1958)Symbolic Interactionism: Perspective and Method. (1971)Doing Gender (1987)Korean–Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road (2017)From Hanok to Hanbok: Traditional iconography in Korean hip hop music videos (2020)Problematic series watching and alcohol consumption among global audiences of Korean Drama in Israel and Indonesia (2024)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Cosmopolitan Society and Its Enemies (2002)The Location of Culture (2012)BTS as method: a counter-hegemonic culture in the network society (2021)The Phenomenon and Development of K-Pop: The Relationship between Success Factors of K-Pop and the National Image, Social Network Service Citizenship Behavior, and Tourist Behavioral Intention (2022)Girls’ Generation? Gender, (Dis)Empowerment, and K-pop (2013)Genre, Translation, and Transnational Cinema: Kim Jee-woon’s The Good, the Bad, the Weird (2015)New directions in K-drama studies (2022)Constructing Racial Rhetoric: Media Depictions of Harm in Heavy Metal and Rap Music (1993)Gramsci is Dead: Anarchist Currents in the Newest Social Movements (2009)Staying engaged during the week: The effect of off-job activities on next day work engagement. (2012)From concrete walls to digital walls: transmedia construction of place myth in Ihwa Mural Village, South Korea (2020)Diasporic Hallyu (2022)Not just Netflix: Interventions of Korea's domestic streamers (2023)Identities, Genres, and Organizational Forms (2005)Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production (2006)Multiple Category Memberships in Markets: An Integrative Theory and Two Empirical Tests (2009)Korean webtoons and collective innovation: expanding Europe's creative industries through competitive localization (2020)How media reported on Korean wave?: Focusing on the analysis of news coverage of Republic of Korea (2021)Seductive Kindness: Power, Space and “Lesbian” Vampires (2017)Infectious Inequalities (2021)Class and Cosmopolitan Striving: Mothers' Management of English Education in South Korea (2004)The Changing Faces of Inequality in South Korea in the Age of Globalization (2007)Born out of place: migrant mothers and the politics of international labor (2014)
this work references cited by second hop

References

  • 1999Film/Genre703 cited
  • 1991Women watching television: gender, class, and generation in the American television experience315 cited
  • 2017The Melodrama of Mobility145 cited
  • 2013The cultural industry policies of the Korean government and the Korean Wave125 cited
  • 2010The South Korean film renaissance: local hitmakers, global provocateurs113 cited
  • 2017Global Imagination of K-Pop: Pop Music Fans’ Lived Experiences of Cultural Hybridity95 cited
  • 2012The Vampire Film: Undead Cinema33 cited
  • 2019Pop City: Korean Popular Culture and the Selling of Place31 cited
  • 2013Korea vs. K-Dramaland: The Culturalization of K-Dramas by International Fans27 cited
  • 2014The Korean Popular Culture Reader23 cited
  • 2017Eclipsed Cinema: The Film Culture of Colonial Korea22 cited
  • 2019The Rise of K-Dramas: Essays on Korean Television and Its Global Consumption12 cited

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