SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Music Theory, Race, and the Barbershop Harmony Society
6 references·2 citing·28 second hop
Music Theory, Race, and the Barbershop Harmony Society (2022)Music Theory, Race, and the Barbershop Ha…Music Theory and the White Racial Frame (2020)Music Theory and the White Ra…What comes naturally: miscegenation law and the making of race in America (2009)What comes naturally: miscege…White Masculinity in Barbershop Quartet Singing (2007)White Masculinity in Barbersh…The British barbershopper: a study in socio-musical values (2005)The British barbershopper: a …Four parts, no waiting: a social history of American barbershop harmony (2003)Four parts, no waiting: a soc…"Play That Barber Shop Chord": A Case for the African-American Origin of Barbershop Harmony (1992)"Play That Barber Shop Chord"…The Hidden Politics of (Public) Music Theory (2025)The Hidden Politics of (Publi…Review of Philip Ewell, On Music Theory, and Making Music More Welcoming for Everyone (University of Michigan Press, 2023) (2023)Review of Philip Ewell, On Mu…Playing in the Dark: Whiteness and the Literary Imagination. (1993)White Women, Race Matters (1993)White women, race matters: the social construction of whiteness (1994)Dialogues on Whiteness, Leisure and (Anti)Racism (2009)Beale Street Blues? Tourism, Musical Labor, and the Fetishization of Poverty in Blues Discourse (2011)Plantation Song: Delius, Barbershop, and the Blues (2013)Slave songs of the United States (1867)The Oxford companion to music (1943)Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor of Jazz" (1951)The Black Authentic: Structure, Style, and Values in Group Harmony (1997)White Face, Black Voice: Race, Gender, and Region in the Music of the Boswell Sisters (2007)Racism without racists: color-blind racism and the persistence of racial inequality in America (2013)Living a Feminist Life (2016)Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics [1989] (2018)Categorising Electronic Music (2020)Leaders of the New School? Music Departments, Hip-Hop, and the Challenge of Significant Difference (2020)Building Sustainable Global Collaborative Networks: Recommendations from Music Studies and the Social Sciences (2023)Who Set You Flowin? (1995)Hungry Listening (2020)The Oxford Handbook of Critical Concepts in Music Theory (2015)Tonality as a Colonizing Force in Africa (2016)Racial Formation in Perspective: Connecting Individuals, Institutions, and Power Relations (2013)Christian nationalism and white racial boundaries: examining whites' opposition to interracial marriage (2015)Beneath the Surface of White Supremacy (2020)Recordings, Technology, and Discourse in Collegiate A Cappella (2012)Patterns of variation in sociomusical identity of school-goers in a condition of social vulnerability and musical gaps in their education (2022)Music and Globalization (2011)Ringing the Chord (2012)
this work references cited by second hop

References

  • 2009What comes naturally: miscegenation law and the making of race in America374 cited
  • 2020Music Theory and the White Racial Frame359 cited
  • 2003Four parts, no waiting: a social history of American barbershop harmony56 cited
  • 1992"Play That Barber Shop Chord": A Case for the African-American Origin of Barbershop Harmony38 cited
  • 2007White Masculinity in Barbershop Quartet Singing23 cited
  • 2005The British barbershopper: a study in socio-musical values10 cited

Cited by

  • 2023Review of Philip Ewell, On Music Theory, and Making Music More Welcoming for Everyone (University of Michigan Press, 2023)3 cited
  • 2025The Hidden Politics of (Public) Music Theory2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work