Lesbian longings and the question of a queer repertoire in The “Other” Love Story

Abstract

In recent years, there has been an emerging critical discourse in South Asia that examines the changing contours of representational politics that could, in turn, be strategically mobilized to introduce an alternative idiom of same-sex love within a standard template of heterosexual storytelling. This has been complemented by an evaluation of alternative modes of sexual politics that need not necessarily conform to Western labels or paradigms of queer identities. Taking its cue from such discursive readings, this article demonstrates how Roopa Rao’s web series, The “Other” Love Story (2016), revisits some of the dominant tropes, practices, and narrative conventions of the Hindi films, released in the 1990s, to create a counter-archive for the lesbian subject who, for the most part, was conspicuous by her very absence in the popular figurations of that period in South Asia. There is a perceptible strand of lingering nostalgia and artistic homage that undergirds such an experimental project that nevertheless also becomes a disruptive site for articulating an oppositional esthetics of romance. The subtlety and restraint of such a nuanced portrayal of dissident desires and queer intimacies thus not only resist the easy appropriations that women in the subcontinent are routinely subjected to (as veritable repositories of tradition and national identity) but also retrospectively reclaim a voice for an otherwise historically silenced discourse of sexuality for the masses.

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