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A multi-analytical approach for the characterization of materials, manufacturing process and damage mechanisms of wall paintings in Samye Temple, Tibet
16 references·1 citing·36 second hop
A multi-analytical approach for the characterization of materials, manufacturing process and damage mechanisms of wall paintings in Samye Temple, Tibet (2022)A multi-analytical approach for the chara…Enriching the knowledge of Ostia Antica painted fragments: a multi-methodological approach (2021)Enriching the knowledge of Os…Direct evidence for metallic mercury causing photo-induced darkening of red cinnabar tempera paints (2021)Direct evidence for metallic …Weathering behavior of cinnabar-based tempera paints upon natural and accelerated aging (2019)Weathering behavior of cinnab…Pigment palette study of the XIX century plafond painting by Raman spectroscopy (2018)Pigment palette study of the …A technical study of the materials and manufacturing process used in the Gallery wall paintings from the Jokhang temple, Tibet (2018)A technical study of the mate…Spectroscopic analysis of XIV century wall paintings from Patriarchate of Peć Monastery, Serbia (2017)Spectroscopic analysis of 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Conservation Science (2000)Infrared Spectroscopy in Cons…Green degradation products of azurite in wall paintings: identification and conservation treatment (1998)Green degradation products of…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Quantitative analysis methods for evaluating colour on architectural heritage: survey of colour restoration and perception of the Wen Yuan Ge in the Forbidden City (2024)Quantitative analysis methods…Modern analytical methods in art and archaeology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Identification of pigments in different layers of illuminated manuscripts by X-ray fluorescence mapping and Raman spectroscopy (2015)Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research 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amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials (2018)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Non-Destructive Multi-Analytical Approach to Study the Pigments of Wall Painting Fragments Reused in Mortars from the Archaeological Site of Pompeii (Italy) (2018)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)60 years of street art: A comparative study of the artists’ materials through spectroscopic and mass spectrometric approaches (2020)Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Analysis of an Ancient 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and two illuminated title pages in 17th century books of ordinances of the Worshipful Company of Barbers, London (2010)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Identification by Raman microspectroscopy of pigments in seated statues found in the Torreparedones Roman archaeological site (Baena, Spain) (2016)Egyptian Blue Pellets from the First Century BCE Workshop of Kos (Greece): Microanalytical Investigation by Optical Microscopy, Scanning Electron Microscopy-X-ray Energy Dispersive Spectroscopy and Micro-Raman Spectroscopy (2020)Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China (2021)
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References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 2016Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database207 cited
  • 2001Characterization of azurite and lazurite based pigments by laser induced breakdown spectroscopy and micro-Raman spectroscopy112 cited
  • 2007Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884)105 cited
  • 1998Green degradation products of azurite in wall paintings: identification and conservation treatment78 cited
  • 2018Pigment palette study of the XIX century plafond painting by Raman spectroscopy40 cited
  • 2009In situ Raman microscopy applied to large Central Asian paintings40 cited
  • 2019Weathering behavior of cinnabar-based tempera paints upon natural and accelerated aging37 cited
  • 2015Raman microspectroscopic analysis of decorative pigments from the Roman villa of El Ruedo (Almedinilla, Spain)30 cited
  • 2021Direct evidence for metallic mercury causing photo-induced darkening of red cinnabar tempera paints25 cited
  • 2014A scientific study of the pigments in the wall paintings at Jokhang Monastery in Lhasa, Tibet, China23 cited
  • 2018A technical study of the materials and manufacturing process used in the Gallery wall paintings from the Jokhang temple, Tibet22 cited

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  • 2021Enriching the knowledge of Ostia Antica painted fragments: a multi-methodological approach19 cited
  • 2016Raman analysis of Gothic wall paintings in the apse of the Santiago Apóstol church in Alcazarén19 cited
  • 2017Spectroscopic analysis of XIV century wall paintings from Patriarchate of Peć Monastery, Serbia19 cited
  • Cited by

    • 2024Quantitative analysis methods for evaluating colour on architectural heritage: survey of colour restoration and perception of the Wen Yuan Ge in the Forbidden City13 cited