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Hyperspectral imaging applied to the analysis of Goya paintings in the Museum of Zaragoza (Spain)

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References

1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
2011Advances in multispectral and hyperspectral imaging for archaeology and art conservation496 cited
2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
2014Identification of pigments by multispectral imaging; a flowchart method257 cited
2005On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database)208 cited
2005Colour and art: A brief history of pigments205 cited
2014Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts157 cited
2011Visual enhancement of old documents with hyperspectral imaging129 cited
2014FORS Spectral Database of Historical Pigments in Different Binders119 cited

Cited by

2020Remote-sensing hyperspectral imaging for applications in archaeological areas: Non-invasive investigations on wall paintings and on mural inscriptions in the Pompeii site92 cited
2020Reflectance imaging spectroscopy in heritage science62 cited
2018Hyperspectral imaging and spectral classification for pigment identification and mapping in paintings by El Greco and his workshop61 cited
2019Hyperspectral imaging for artworks investigation43 cited

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2018

Colours and pigments in late ukiyo-e art works: A preliminary non-invasive study of Japanese woodblock prints to interpret hyperspectral images using in-situ point-by-point diffuse reflectance spectroscopy

37 cited

2018Mining painted cultural relic patterns based on principal component images selection and image fusion of hyperspectral images37 cited

2020Mapping pigments and binders in 15th century Gothic works of art using a combination of visible and near infrared hyperspectral imaging37 cited

2018Hypercolorimetric multispectral imaging system for cultural heritage diagnostics: an innovative study for copper painting examination36 cited

2018Virtual restoration of stains on ancient paintings with maximum noise fraction transformation based on the hyperspectral imaging33 cited

2023Review on Analysis Methods Enabled by Hyperspectral Imaging for Cultural Relic Conservation31 cited

2019Colours of the « images of the floating world ». non-invasive analyses of Japanese ukiyo-e woodblock prints (18th and 19th centuries) and new contributions to the insight of oriental materials31 cited

2022Identification and mapping of ancient pigments in a Roman Egyptian funerary portrait by application of reflectance and luminescence imaging spectroscopy29 cited

2017Assessment of multispectral and hyperspectral imaging systems for digitisation of a Russian icon28 cited

2017New perspectives in the non-invasive, in situ identification of painting materials: The advanced MWIR hyperspectral imaging27 cited

2018Nonlinear Unmixing of Hyperspectral Datasets for the Study of Painted Works of Art27 cited

2018Nonlinear Unmixing of Hyperspectral Datasets for the Study of Painted Works of Art27 cited