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Post‐Impressionism : Universal, British, Global
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Post‐Impressionism : Universal, British, Global (2022)Post‐Impressionism : Universal, British, …Postcolonial Modernism (2015)Postcolonial ModernismEncyclopedia of Aesthetics (2014)Encyclopedia of AestheticsAvoiding the Tyranny of Morphology; or, Why Compare? (2014)Avoiding the Tyranny of Morph…The Triumph of Modernism: India's Artists and the Avant-Garde, 1922-1947 (2007)The Triumph of Modernism: Ind…Eyesight alone: Clement Greenberg's modernism and the bureaucratization of the senses (2007)Eyesight alone: Clement Green…Japan & Paris: Impressionism, Postimpressionism, and the Modern Era (2004)Japan & Paris: Impressionism,…Burlington primitive: non-European art in The Burlington Magazine before 1930 (2004)Burlington primitive: non-Eur…Perfect Moderns: A History of the Camden Town Group (2000)Perfect Moderns: A History of…English Criticism and French Post-Impressionist Painting (1988)English Criticism and French …Art and Illusion. A Study in the Psychology of Pictorial Representation (1960)Art and Illusion. A Study in …The Madonna of 115th Street: Faith and Community in Italian Harlem, 1880-1950 (1987)Conceptualizing a Nonnatural Entity: Anthropomorphism in God Concepts (1996)Lives of Indian Images (1997)Elements of a Comparative Methodology in the Study of Religion (2018)The Idea of Semitic Monotheism (2021)Paint and prejudice (1938)Modern English Painters (1974)Modern art : being a contribution to a new system of aesthetics. (2014)The Emergence of a Visual Language for Geological Science 1760—1840 (1976)When Innovations Meet Institutions: Edison and the Design of the Electric Light (2001)Deceitful Media (2021)At Other Times: Modernism and the “Primitive” (2017)T.E. Hulme and the Question of Modernism (2016)Engaging with Fibers, Fabrics, and Figures inNkoli KaExhibition (2018)Codifying African dance: the Germaine Acogny technique and antinomies of postcolonial cultural production (2019)Nonaligned Modernism: Yugoslav Culture, Nonaligned Cultural Diplomacy, and Transnational Solidarity (2021)What we ‘see’ when we read: Visualization and vividness in reading fictional narratives (2017)Feeling and Classical Philology (2020)To Be or Not to Be (Typical): Evaluation-Mode Heterogeneity and Its Consequences for Organizations (2022)Nojima Yasuzō's primitivist eye: ‘Nude’ and ‘Natural’ in early Japanese art photography (2006)Impressionnisme(s) aujourd’hui (2011)Fuchikami Hakuyō and the ‘Manchukuo Pastoral’ in 1930s Japanese Art Photography (2014)Dirty Media: Tom McCarthy and the Afterlife of Modernism (2012)Geography and art. An expanding field (2012)Sensorium (2024)A Retake of Sher-Gil's Self-Portrait as Tahitian (2011)Primitivism, humanism, and ambivalence: Cobra and Post-Cobra (2011)“A very civil idea …” Art History, Transculturation, and World-Making – With and Beyond the Nation (2018)
this work references cited by second hop

References

  • 1960Art and Illusion. A Study in the Psychology of Pictorial Representation676 cited
  • 2007Eyesight alone: Clement Greenberg's modernism and the bureaucratization of the senses168 cited
  • 2014Encyclopedia of Aesthetics140 cited
  • 2007The Triumph of Modernism: India's Artists and the Avant-Garde, 1922-1947116 cited
  • 2015Postcolonial Modernism69 cited
  • 2014Avoiding the Tyranny of Morphology; or, Why Compare?58 cited
  • 2004Japan & Paris: Impressionism, Postimpressionism, and the Modern Era11 cited
  • 2004Burlington primitive: non-European art in The Burlington Magazine before 19304 cited
  • 2000Perfect Moderns: A History of the Camden Town Group2 cited
  • 1988English Criticism and French Post-Impressionist Painting2 cited

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