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The forger's identikit: A multi-technique characterization of Pippo Oriani's fake paintings

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References

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2009Scientific Investigation of Copies, Fakes and Forgeries229 cited
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2011Raman and FTIR microspectroscopic study of the alteration of Chinese tung oil and related drying oils during ageing122 cited
2007Micro-analytical study of interactions between oil and lead compounds in paintings90 cited
2010An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques83 cited
2012Art Forgery: The History of a Modern Obsession70 cited
2012Characterization of the binding medium used in Roman encaustic paintings on wall and wood49 cited
2011

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Investigation of the Composition of Historical and Modern Italian Papers by Energy Dispersive X-Ray Fluorescence (EDXRF), X-Ray Diffraction (XRD), and Scanning Electron Microscopy Energy Dispersive Spectrometry (SEM-EDS)

33 cited

2013Phthalocyanine identification in paintings by reflectance spectroscopy. A laboratory and in situ study29 cited

2020Investigating counterfeiting of an artwork by XRF, SEM-EDS, FTIR and synchrotron radiation induced MA-XRF at LNLS-BRAZIL27 cited

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2024A Review on Traditional and Artificial Intelligence-Based Preservation Techniques for Oil Painting Artworks30 cited
2023Multianalytical Study of the Blue Pigments Usage in Serbian Iconography at the Beginning of the 18th-Century7 cited