SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Characterization of the mural blue paintings in ornamental motif of Ali Qapu palace in Isfahan, Iran, using spectroscopic and microscopic methods (a case study)
16 references·0 citing·40 second hop
Characterization of the mural blue paintings in ornamental motif of Ali Qapu palace in Isfahan, Iran, using spectroscopic and microscopic methods (a case study) (2022)Characterization of the mural blue painti…Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Raman spectroscopic library o…Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)Mineral Pigments in Archaeolo…Automatic pigment identification from hyperspectral data (2018)Automatic pigment identificat…Identification of pigments by multispectral imaging; a flowchart method (2014)Identification of pigments by…A combined Raman microscopy, XRF and SEM–EDX study of three valuable objects – A large painted leather screen and two illuminated title pages in 17th century books of ordinances of the Worshipful Company of Barbers, London (2010)A combined Raman microscopy, …Pigment Compendium (2008)Pigment CompendiumComparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage (2008)Comparison between micro-Rama…Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Attenuated total reflection m…Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Analysis of natural and artif…Diffuse reflection FTIR spectral database of dyes and pigments (2006)Diffuse reflection FTIR spect…Pigment and terracotta analyses of Hellenistic figurines in Crete (2003)Pigment and terracotta analys…Lapis lazuli as unexpected blue pigment in Iranian Lâjvardina ceramics (2003)Lapis lazuli as unexpected bl…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)Analysis of pigments and inks…Rock Art Pigments from Kimberley Region of Western Australia: Identification of the Minerals and Conversion Mechanisms (1994)Rock Art Pigments from Kimber…2. Ultramarine Blue, Natural and Artificial (1966)2. Ultramarine Blue, Natural …Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Characterization of illuminated manuscripts by laboratory-made portable XRD and micro-XRD systems (2009)Recent progress in instrumental techniques for architectural heritage materials (2019)Pigments—Iron-based red, yellow, and brown ochres (2022)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)The Characterization of Metal Soaps (2003)New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE* (1998)Identification and differentiation of ancient and modern European porcelains by Raman macro‐ and micro‐spectroscopy† (2001)On‐site Raman analysis of Medici porcelain (2003)Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Nondestructive on‐site identification of ancient glasses: genuine artefacts, embellished pieces or forgeries? (2008)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Practical notes on ultraviolet technical photography for art examination (2015)Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts (2018)Quantitative Analysis of Minium and Vermilion Mixtures Using Low-Frequency Vibrational Spectroscopy (2019)Raman approach to the forensic study of bronze patinas (2021)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)Towards automatic classification of diffuse reflectance image cubes from paintings collected with hyperspectral cameras (2020)A new application of Fiber optics reflection spectroscopy (FORS): Identification of “bronze disease” induced corrosion products on ancient bronzes (2021)The archaeometry of ochre sensu lato: A review (2021)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)Characterizing the pigments and paints of prehistoric artists (2021)Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2008Pigment Compendium317 cited
  • 2014Identification of pigments by multispectral imaging; a flowchart method257 cited
  • 2018Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials222 cited
  • 2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films214 cited
  • 2008Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy190 cited
  • 2008Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage149 cited
  • 2003Lapis lazuli as unexpected blue pigment in Iranian Lâjvardina ceramics121 cited
  • 2018Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts120 cited
  • 2018Automatic pigment identification from hyperspectral data107 cited
  • 2000Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry103 cited
  • 19662. Ultramarine Blue, Natural and Artificial99 cited
  • 2003Pigment and terracotta analyses of Hellenistic figurines in Crete

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

88 cited
  • 2006Diffuse reflection FTIR spectral database of dyes and pigments87 cited
  • 2010A combined Raman microscopy, XRF and SEM–EDX study of three valuable objects – A large painted leather screen and two illuminated title pages in 17th century books of ordinances of the Worshipful Company of Barbers, London75 cited
  • 1994Rock Art Pigments from Kimberley Region of Western Australia: Identification of the Minerals and Conversion Mechanisms57 cited
  • Cited by

    No citing works inside the corpus for this window.